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Record W4281476398 · doi:10.32920/ifmj.v2i2.1583

Exhibition of a VR Experimental Documentary

2022· article· en· W4281476398 on OpenAlexvenueno aff
Rossella Schillaci, Alexandra D’Onofrio

Bibliographic record

VenueInteractive Film and Media Journal · 2022
Typearticle
Languageen
FieldSocial Sciences
TopicParticipatory Visual Research Methods
Canadian institutionsnot available
Fundersnot available
KeywordsFilmmakingExhibitionStorytellingVisual artsAnimationPerspective (graphical)Digital storytellingAction (physics)Session (web analytics)Visual researchNarrativeSociologyAestheticsArtComputer scienceMovie theaterPedagogyWorld Wide WebLiterature

Abstract

fetched live from OpenAlex

During the exhibition session, we propose to view a VR experimental documentary of 20’. The VR film is made after a three-year practice-based collaborative research on mothers and children living together in a condition of imprisonment. The objective is to understand their different points of view about the confined spaces they are - or have been living - and how they endured the challenges of raising children in prison, and also which are their hopes and dreams for the future. This Ph.D. research mixes theory and practice, with the intent to analyze the production of the VR film, made combining live-action shooting and animation Objectives and methodology: The aim is to discuss which are the potentialities and also limitations of immersive storytelling applied to visual anthropology in closed contexts such as prisons, with the collaboration of multiple approaches and forms of art, like animation. VR filmmaking process helped to research confinement - in confined places - during the pandemic. The objective is to understand their different points of view about the confined spaces where they have been living in the past, and how they endured the challenges and the crises they faced during their childhood and motherhood, worsened by the pandemic. The attempt to hear their own voices and their perspective following Mirzoeff’s ideas (Mirzoeff 2011, 2015) brought me and a group of artists and practitioners to experiment and employ different forms of art and methodologies, such as illustration, animation, digital storytelling, photo-elicitation and anthropological observational fieldwork. My hypothesis is that the VR filmmaking process – more than the normal ‘flat’ documentary cinema – helped to build and share a collaborative process (between academics, practitioners and the protagonists of the research). Furthermore, I (Rossella Schillaci) think VR technology helped to support the participation of children and youth, envisioning new possibilities for interdisciplinary collaborations and to better listening to children’s ideas of participation, and expression of their point of view about the present, past and mostly future, representing their thoughts, fears and dreams. Intended results: reflection and debate about ethical problems, the potentiality of using new technology in the research and also in the dissemination of the results. How new media can facilitate and open a broad discussion about the topics that involved not only academics but also practitioners and decision-makers? The VR film will be available for participants. An excerpt will be available for publication, together with a paper about the making process, the methodology, the challenges faced and the results obtained.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.100
Threshold uncertainty score0.334

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.004
Meta-epidemiology (narrow)0.0020.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.001
Science and technology studies0.0030.002
Scholarly communication0.0030.002
Open science0.0020.005
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.1000.011

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.329
GPT teacher head0.601
Teacher spread0.273 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2022
Admission routes1
Has abstractyes

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