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Record W4285339841 · doi:10.37491/unz.83.12

Media Technologies and Formation of a Tourist Destination Brand: Foreign and Domestic Experience

2021· article· en· W4285339841 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueUniversity Scientific Notes · 2021
Typearticle
Languageen
FieldEnvironmental Science
TopicDiverse Scientific Research in Ukraine
Canadian institutionsnot available
Fundersnot available
KeywordsTourismPopularityProduct (mathematics)Promotion (chess)BusinessDestinationsAdvertisingMarketingRelevance (law)PhenomenonPolitical sciencePolitics

Abstract

fetched live from OpenAlex

The article summarizes the arguments within the scientific discussion on the impact of media technologies on the choice of a tourist destination. Thus, the emergence of film-induced tourism as a specific type of tourism is emphasized. The main purpose of the scientific research is to analyze a relatively new phenomenon of «film-induced tourism» and its types, as well as to determine the influence mechanisms of film and television media product on the formation of a tourist destination and its brand. Systematization of relevant literary works and approaches to the problem in question has shown that film-induced tourism is intensively developing and being actively popularized in the world. It has been widely recognized that the media product is undoubtedly increasing the number of visits to locations depicted in it, or locations associated with it, which, in its turn, forms the tourist destination brand. Moreover, the films that gained worldwide popularity after their release significantly contributed to the formation of famous tourist brands and attracted the attention of numerous tourists. The relevance of the scientific research in terms of Ukraine is evidenced by the fact that the development of film-induced tourism is not paid attention to by domestic scientists. Besides, the international experience of successful promotion of tourist destinations through media technologies is not duly implemented into domestic tourist practice. Foreign practical experience proves though that there is a firm correlation between the success of the film and television media product and the increase in tourist flows to a particular destination. The research of the problems raised in the article was carried out in logical sequence. There were considered theoretical aspects of film-induced tourism, particularly, impacts of media technologies on the development of tourist destinations, the use of mass media as a tool to form a tourist brand; there were revealed specific features of creating tourist brands, both on-location and off-location ones, as well as there was analysed the experience of Ukraine in the formation of on- and off-location tourist brands; there were provided the proposals to apply leading international practices for the promotion of film-induced tourism in Ukraine. The following groups of methods became a methodological toolkit of the research. Theoretical methods were used to perform the overview of scientific works, popular science literature and other relevant sources within the research; for the definition and systematization of the terminological apparatus of the research; for the critical study and generalization of the observed information. Analytical methods were used to diagnose the impact of media technologies on the development of certain destinations and to analyse tangible and intangible benefits of film-induced tourism obtained by tourist destinations. The research period under consideration is 2010–2018. The object of the study is a range of countries illustrating the best world practice in the development of film-induced tourism: The United States (particularly New York and Los Angeles tourist destinations), Canada, Scotland, Italy, France, New Zealand, Iceland, as well as the world best-known films that have become a vivid example of the formation and promotion of tourist destinations shown on the screen. Thus, it has been proved the undeniable influence of media technologies on the considerable increase in the number of mass tourists who were eager to visit the locations of their favourite films. The results of an empirical analysis of the correlation between the development of mass tourism and a significant increase in tourist visits to certain destinations due to media technologies are submitted in the article. The research theoretically proves and empirically confirms that there is interrelationship between the success of the media product and the development of mass tourism. Statistically it was substantiated by analyzing the number of tourists and their interest in locations used in movies, TV series and animated films. It should be noted, however, that the impact of such products is easier to observe in those countries and regions that have passed the stages of the formation of tourism industry as the leading one due to the tourism boom caused by a particular media product. In this case, the emergence of this type of tourism clearly affects the economy and the formation of the tourist image of the country. The results of the study can serve as a basis for further researches on the issue and the formation of the strategy for the development of film-induced tourism in Ukraine, where its possibilities, unfortunately, are used in fragments today.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: Bench or experimental
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.185
Threshold uncertainty score0.665

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0000.002
Scholarly communication0.0000.001
Open science0.0000.001
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.227
Teacher spread0.209 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it