Berezil Art Association – Berezil Theater in Archival and Museum Collections of Ukraine (to the 100th Anniversary of Its Creation)
Bibliographic record
Abstract
The aim of the work is to consider a wide range of archival documents related to the peculiarities of the unique theatrical ensemble of the Berezil Art Association – Berezil Theater and its founder – the outstanding director, theater reformer Lesya Kurbas. Research methodology. Methods of socio-cultural, cultural-historical and systemic approaches were used in the development of the issue. Historical, source, phenomenological and analytical methods were also used. The culturological approach made it possible to study the activities of the Berezil Art Association – Berezil Theater as a culturological phenomenon. Scientifi c novelty. For the fi rst time, a comprehensive review of the documentary heritage of the Berezil Art Association – Berezil Theater in the archival and museum collections of Ukraine. The volume of collections of the Museum of Theater, Music and Cinematography of Ukraine, the scientifi c archive of the MT Rylsky Institute of Art History, Folklore and Ethnology of the National Academy of Sciences of Ukraine, the Central State Archive-Museum of Literature and Art of Ukraine , archival repositories of Kharkiv, private collections, etc. Conclusions. The publication emphasizes the specifi cs of the source study of theatrical creativity, as well as the signifi cant potential of national archives and museums in the study of an exceptional phenomenon of Ukrainian culture – the Berezil Art Association – Berezil Theater. Prospects for further research. A full-fl edged reproduction of all the circumstances of the Berezil Art Association – Berezil Theater is impossible without examining a large set of iconographic materials, which includes programs and posters of performances, sketches of costumes and decorations, models for performances and more. At the same time, a comprehensive review of the theatrical and organizational activities of the Berezil Art Association – Berezil Theater will not be complete without taking into account administrative and economic documents, as well as documents on investigative cases of actors, directors and other employees of the theater. References: Bertelsen, O. (2016). Les Kurbas i teatr «Berezil». Arkhivni dokumenty (1927–1988) [Les Kurbas and the Berezil Theater. Archival documents (1927–1988)] (Vol. 2). Kyiv: Smoloskyp. [in Ukrainian]. Cherkashyn, R. & Fomina, Yu. (2008). My – bereziltsi. Teatralni spohady-rozdumy [We are bereziltsi. Theatrical memories-reflections](V. Sobiianskyi, Comp.; N. Yermakova, Foreword). Kharkiv: AKTA. [in Ukrainian]. Gale, M. B. & Featherstone, A. (2011). The Imperative of the Archive: Creative Archive Research / Research Methods in Theatre and Performance(Baz Kershaw and Helen Nicholson, Ed.) (p. 18). Edinburgh: Edinburgh University Press Ltd. [in English]. https://doi.org/10.1515/9780748646081-004 Hordieiev, S. (2000). Osobysta biblioteka Lesia Kurbasa [Lesya Kurbas's personal library]. In Z knyzhkovoi kolektsii Lesia Kurbasa: kataloh. [in Ukrainian]. Hrabar, N. (2015). Materialy pro teatr «Berezil» z kolektsii Iryny Steshenko u fondakh MVDUK [Materials about the Berezil Theater from Iryna Steshenko’s collection in the Ministry of Internal Affairs fonds]. In N. Hrabar, O. Hural, O. Mokanu (Comps.), X naukovyi seminar «Rol vyznachnykh osobystostei – myttsiv, diiachiv nauky ta kultury u protsesi formuvannia natsionalnoi samosvidomosti naprykintsi ХІХ – na pochatku ХХ st.», pryurochenyi do dnia narodzhennia Mykhaila Petrovycha Starytskoho: materialy (pp. 35–46). Kyiv. [in Ukrainian]. Ivanova, N. (2017). Kharkivskyi Derzhavnyi Ukrainskyi Akademichnyi Dramatychnyi Teatr imeni T. H. Shevchenka» (za materialamy zbirky KhIM imeni M. F. Sumtsova) [Taras Shevchenko Kharkiv State Ukrainian Academic Drama Theater (based on collection materials named after M. F. Sumtsov]. Abstract of papers ’17: Dvadtsiat treti Sumtsovski chytannia: zbirnyk materialiv Vseukrainskoi naukovoi konferentsii «Muzei u hlobalnomu sviti: innovatsii ta zberezhennia tradytsii», prysviachenoi 100-richchiu podii Ukrainskoi revoliutsii 1917–1921 rokiv (pp. 170–177). Kharkiv: Maidan. [in Ukrainian]. Labinskyi, M. (2001). Les Kurbas. Filosofiia teatru [Les Kurbas. Philosophy of a theater] (pp. 47–66). Kyiv: Vydavnytstovo Solomii Pavlychko «Osnovy». [in Ukrainian]. Melnyk, T. (2010). Pohliad na stsenohrafichnu spadschynu Vadyma Mellera (Pamiatky iz zibrannia Derzhavnoho muzeiu teatralnoho, muzychnoho ta kinomystetstva Ukrainy). [A look at Vadim Meller’s scenography heritage (Artifacts from the State Museum of Theater, Music and Cinematography of Ukraine collection)]. Prostsenium, 1–3(25–26), 14–25. [in Ukrainian]. Revutskyi, V. & Zinkevych, O. (1989). Les Kurbas u teatralnii diialnosti, v otsinkakh suchasnykiv: dokumenty [Les Kurbas in theatrical activities, in the assessments of contemporaries: documents]. Baltymor; Toronto: Smoloskyp. [in Ukrainian]. Sapolkina, A. (2018). Fundatory Ukrainskoho teatralnoho muzeiu [Founders of the Ukrainian Theater Museum]. Richnyk MTMK Ukrainy: zbirnyk naukovykh statei, 2, 7–10. [in Ukrainian]. Skrypnyk,A. & Dovzhenok, H. V. (2005). Putivnyk po osobovykh fondakh Arkhivnykh naukovykh fondiv rukopysiv ta fonozapysiv Instytutu mystetstvoznavstva, folklorystyky ta etnolohii imeni M. Rylskoho [Guide to the personal fonds of the Archival Scientific Fonds of Manuscripts and Phonographs at the M. Rylsky Institute of Art History, Folklore and Ethnology]. Kyiv. [in Ukrainian]. Tsymbal, (2012). Rarytetni eksponaty Kharkivskoho literaturnoho muzeiu do yuvileiu Lesia Kurbasa [Rare exhibits of the Kharkiv Literary Museum dedicated to Les Kurbas’ anniversary]. Abstract of Papers ’12: Les Kurbas v konteksti svitovoi ta vitchyznianoi kultury. Materialy mizhnarodnoi naukovoi konferentsii do 125-richchia vid dnia narodzhennia Lesia Kurbasa (pp. 196–201). Kharkiv. [in Ukrainian]. Vaschenko, N. (2004; 2005; 2006). Frahmenty spohadiv pro Kurbasa [Excerpts from memoirs about Kurbas]. Teatralna besida, 2, 35–39; 1, 43–46; 2, 37–43. [in Ukrainian].
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".