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Record W4293056260 · doi:10.3138/ctr.191.013

Performing at Home in the Pandemic: Boca del Lupo’s <i>Plays2Perform@Home</i> Collection

2022· article· en· W4293056260 on OpenAlexvenueaboutno aff
Signy Lynch

Bibliographic record

VenueCanadian Theatre Review · 2022
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsListing (finance)Visual artsPandemicData collectionGeneral partnershipSociologyArtCoronavirus disease 2019 (COVID-19)Political scienceBusinessSocial scienceMedicineLaw

Abstract

fetched live from OpenAlex

This article explores Vancouver theatre company Boca del Lupo’s Plays2Perform@Home collection. Generated as a way for audiences to bring the theatre home with them during the pandemic, the collection is composed of twenty short plays across five regional box sets, and was commissioned by Boca del Lupo in partnership with several other theatre companies across Canada. The author offers some observations and personal highlights from the collection, and reflects on what it means to perform these plays at home. She complements her analysis of the plays by drawing on her own experiences performing some of the pieces at home with her family, re-creating the intended experience of the collection. Because of the unusual circumstances of their production, Lynch suggests that it is valuable to examine the Plays2Perform@Home pieces through an immersive and site-specific lens, rather than a purely dramatic one. She argues that the plays that succeed the most in performance are those that seriously consider the experience of their audience-performers and incorporate the expected conditions of performance into their dramatic works. The article also includes a full listing of the plays in each box set.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.767
Threshold uncertainty score0.469

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.002
Science and technology studies0.0160.008
Scholarly communication0.0070.001
Open science0.0010.003
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0100.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.228
Teacher spread0.197 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207