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Record W4294315050 · doi:10.1353/nin.2022.0009

From Brooklyn to Hollywood to Seattle: How Danny Kaye Became an Owner of the Mariners

2022· article· en· W4294315050 on OpenAlexvenueno aff
David Farrell Krell

Bibliographic record

VenueNine · 2022
Typearticle
Languageen
FieldArts and Humanities
TopicAmerican Sports and Literature
Canadian institutionsnot available
Fundersnot available
KeywordsLeagueHollywoodWhite (mutation)WifeLawArt historyManagementSociologyEconomic historyHistoryPolitical scienceEconomics

Abstract

fetched live from OpenAlex

From Brooklyn to Hollywood to SeattleHow Danny Kaye Became an Owner of the Mariners David Krell (bio) Hans Christian Andersen. The Court Jester. The Five Pennies. White Christmas. The Secret Life of Walter Mitty. Danny Kaye may be beloved for his movies, but Seattle baseball fans hold him in higher esteem for his integral efforts to revive the city’s major league status in the mid-1970s. Seattle had seen its Major League Baseball (MLB) experience truncated when the Pilots’ owners left for Milwaukee after one season (1969) and changed the team’s name to the Brewers. Joining a group of investors—including Lester Smith, his partner in Pacific Northwest radio and television stations1—Kaye had the opportunity to blend his passion for baseball with a business prospect. They sought to capitalize on the city’s connection to baseball. In addition to the Pilots, Seattle had been a minor league mainstay with the Rainiers of the Pacific Coast League from 1903 to 1906 and 1919 to 1968. Baseball was one branch of the business tree reflecting Kaye’s partnership with Smith, which had begun in the late 1950s through an introduction from their respective attorneys. “My father was a radio station broker and expanded his business to being an owner,” says Smith’s son, Alex, who runs Kaye-Smith Enterprises, now a business solutions company in the Pacific Northwest. “The IRS had a list of companies you could invest in for tax shelters. But you had to pick a similar industry to your business; motion pictures and radio were on the same list. My father needed capital, so his FCC attorney put out feelers and connected with Danny’s attorney. They first went into AM radio, then FM, followed by the concert and promotion business and a recording studio.”2 Smith and Kaye became friends—the entertainer stayed with his partner’s family when he went to Seattle. Besides business interests, they shared a passion for flying; both were amateur pilots.3 In a 1973 interview with British TV host Russell Harty, Kaye explained that he flew planes ranging from the Cessna 150 to the 747.4 Back on terra firma, Kaye loved to cook. He trained [End Page 26] informally with a five-star restaurant in Chinatown in San Francisco and often hosted guests at his Beverly Hills home.5 When the Kaye-Smith consortium got approval for an American League (AL) expansion team in 1977, there was nobody happier than the movie star who had cheered the Dodgers in his native Brooklyn and then in Los Angeles. Born David Daniel Kaminsky on January 18, 1911, to Jewish immigrants from Ukraine—Jacob and Clara (née Nemerovsky)—Kaye had two older brothers who were born in the old country and left for the US a couple of years before the future entertainer came into the world in Brooklyn. Kaye’s fame led to the renaming of his alma mater from P. S. 149 to P. S. 149 Danny Kaye. Performing seemed to be in Kaye’s blood. His obituary in the Los Angeles Times recalled, “The pale little boy entertained his kindergarten classmates with songs, and as he grew into a teen-ager [sic], worked at Brooklyn social clubs singing and telling jokes.”6 Clara died when Kaye was a teenager; he left home with a friend, and they went to Florida to find work as entertainers. When he came back to the Borough of Churches, he worked in a variety of jobs, including as an insurance investigator. A true Brooklynite, Kaye found joy and sorrow at Ebbets Field rooting for the Dodgers. His affection for his beloved team extended westward when the team moved to Los Angeles, where he put down roots because of his movie career. In 1962 his gift for singing quickly manifested in the song “D-O-D-G-E-R-S (Oh Really? No, O’Malley),” which recounts a Giants-Dodgers game complete with running commentary on the plays and the players. Kaye employed a baseball theme in at least one segment on The Danny Kaye Show, a comedy-variety offering that aired on CBS from 1963 to 1967. It highlighted Kaye...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.264
Threshold uncertainty score0.951

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0500.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.204
Teacher spread0.191 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

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Same venueNineSame topicAmerican Sports and LiteratureFrench-language works237,207