MétaCan
Menu
Back to cohort

Introduction: Autumnal Altman—Rethinking his Last Quarter Century

2022· book-chapter· en· W4296879263 on OpenAlexaboutno aff
Lisa Dombrowski, Justin Wyatt

Bibliographic record

VenueEdinburgh University Press eBooks · 2022
Typebook-chapter
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsNarrativeQuarter (Canadian coin)DynamismPeriodizationPeriod (music)StudioArt historyArtHistoryLiteratureVisual artsAestheticsEpistemologyPhilosophy

Abstract

fetched live from OpenAlex

This introduction reviews and challenges the dominant narrative regarding the periodization of Robert Altman’s film career, makes a case for focusing on the last quarter century of his work, and highlights the three primary themes that emerge from the anthology’s scholarly essays and collaborator interviews. The chapter counters critic Robin Wood’s claim that Altman’s authorship remains static, as the contributions in the anthology highlight dynamism. The narrative and stylistic experimentation that mark Altman’s canonical early 1970s films have been justly celebrated, yet his legacy is even more rich and robust. The shift in Altman’s career from studio to independent filmmaking following Popeye (1980) initiated a distinctly new period that prompted change and growth, sparking new forms of experimentation in the projects he made as well as in how he made them. Some films contain elements that clearly point back to his canonical works; others form clean breaks. Yet Altman’s development during this period as a collaborator, businessperson, and artist is undeniable. By exploring Altman’s creative process, industrial framework, and key films during his last quarter century, a more complete picture emerges of the significance of his legacy as one of American cinema’s most distinguished innovators.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.008
Threshold uncertainty score0.027

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0030.003
Scholarly communication0.0050.004
Open science0.0010.001
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0080.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.178
Teacher spread0.153 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

Explore more

Same venueEdinburgh University Press eBooksSame topicCinema and Media StudiesFrench-language works237,207