MUSIK TRUNTHUNG SEBAGAI MEDIA EKSPRESI MASYARAKAT WARANGAN
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Penelitian ini dilatarbelakangi oleh penggunaan Musik Trunthung dalam beberapa acara seperti ritual maupun kesenian yang ada dan berkembang di Dusun Warangan. Pada awalnya Trunthung berfungsi sebagai alat musik pengiring pada Tari Soreng. Dalam perkembangannya, Musik Trunthung mengalami transformasi dari musik pengiring menjadi sebuah pertunjukan musik yang mandiri. Tujuan penelitian ini adalah mengetahui peran dan pengaruh Musik Trunthung dalam kehidupan masyarakat Warangan. Pendekatan yang digunakan dalam penelitian ini adalah etnomusikologi dengan menggunakan metode kualitatif deskriptif. Hasil penelitian menunjukan bahwa Musik Trunthung merupakan media ekspresi bagi masyarakat Warangan baik digunakan sebagai pengiring dalam Tari Soreng maupun sebagai bagian dalam ritual Nyadran Kali di Dusun Warangan. Musik Trunthung juga mengalami transformasi dari peranan awalnya sebagai musik pengiring Tari Soreng menjadi sebuah pertunjukan musik yang mandiri. Musik Trunthung lahir dan tercipta tahun 2002 di Dusun Warangan atas gagasan dari Sutanto Mendut (Presiden Komunitas Lima Gunung) dan Eko Sunyoto (Seniman Sanggar Warangan Merbabu) serta kerja sama dengan masyarakat Dusun Warangan.Trunthung music in various events, rituals, and arts in Dusun Warangan are the background of this research. Trunthung music was originally a musical acompaniment of Soreng Dance. During its development, Trunthung transformed from musical acompaniment to be an independent performing music. This research aims to know the role and effect of Trunthung music in Warangan society. The approach, used in this research, is ethnomusicology with descriptive qualitative method. The result of this research indicates that Trunthung Music is a expressive media for Warangan society, used for both as music acompaniment in Soreng dance and as a part of Nyadran Kali rituals in Dusun Warangan. Trunthung music also transformed from its first function as a musical acompaniment in Soreng Dance to be an independent perfoming music. Trunthung music was made in 2002 in Dusun Warangan by Sutanto Mendut (the president of Komunitas Lima Gunung) and Eko Sunyoto (Sanggar Warangan Merbabu artist) working together with Dusun Warangan society.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.002 | 0.002 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.012 | 0.005 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it