Bibliographic record
Abstract
«In this important comparative study, Polly Galis provides an illuminating – and frank – examination of the feminist tensions inherent in the inclusive and often transgressive modalities of female sexuality put forward by Nancy Huston, Nelly Arcan and Annie Ernaux, writers whose work subversively troubles the divide between 'good' and 'bad' models of bodily pleasure and desire.» (Siobhán McIlvanney, Professor of French and Francophone Women’s Writing, King’s College London) «An in-depth look at three important French-language women writers who tackle gender stereotypes, desire, the body, language and empowerment, this richly documented study is rigorous, thorough, illuminating and highly readable, with broader implications for contemporary feminism and women’s writing within and beyond France and Quebec. A major contribution.» (Lori Saint-Martin, Professor of Literary Studies, University of Quebec in Montreal) This book is the first comparative study of the work of Francophone authors Annie Ernaux, Nancy Huston and Nelly Arcan, exploring their representation of sex, sexuality and the body. This book examines their narrative treatment of dominant sexual discourses, sexual difference and diverse feminine bodily experience, and thereby reveals these writers’ distinctive contribution to contemporary women’s writing in French and different feminisms, defined as «frank» French feminism. This feminist approach consists in tackling gender inequality, sexism and misogyny, while recognising the difficulties involved in feminist action, and acknowledging that adherence to allegedly oppressive gender stereotypes can actually prove enjoyable and empowering for women. This study examines the authors’ earliest to latest publications and multiple genres and media, including fictional and autofictional novels, autobiographies, critical essays, phototexts, diaries, journals, illustrated oeuvres, media addresses and newspaper articles. This book project was the Winner of the 2019 Peter Lang Young Scholars Competition in Contemporary Women’s Writing in French.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.005 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".