MétaCan
Menu
Back to cohort

Digital Posthuman Autobiography

2022· reference-entry· en· W4309450805 on OpenAlexaff
Laurie S. McNeill

Bibliographic record

VenueOxford Research Encyclopedia of Literature · 2022
Typereference-entry
Languageen
FieldArts and Humanities
TopicAutobiographical and Biographical Writing
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsPosthumanPosthumanismBiographyNarrativeAgency (philosophy)Subject (documents)SubjectivityHumanismSociologyTextualityIdentity (music)AestheticsLife writingEpistemologyLiteratureArtPhilosophyComputer scienceSocial scienceWorld Wide WebPolitical scienceLaw

Abstract

fetched live from OpenAlex

Abstract Since the 2010s, auto/biography studies have engaged in productive explorations of its intersections with theories of posthumanism. In unsettling concepts of the human, the agential speaking subject seen as central to autobiographical acts, posthumanism challenges core concerns of auto/biography (and humanism), including identity, agency, ethics, and relationality, and traditional expectations of auto/biographical narrative as focused on a (human) life, often singular and exceptional, chronicling a narrative of progress over time—the figure and product of the liberal humanist subject that posthumanism and autobiography studies have both critiqued. In its place, the posthuman autobiographical subject holds distributed, relativized agency as a member of a network through which it is co-constituted, a network that includes humans and non-humans in unhierarchized relations. Posthuman theories of autobiography examine how such webs of relation might shift understanding of the production and reception of an autobiographer and text. In digital posthuman autobiography, the auto/biographer is working in multimodal ways, across platforms, shaping and shaped by the affordances of these sites, continually in the process of becoming through dynamic engagement and interaction with the rest of the network. The human-machinic interface of such digital texts and spaces illustrates the rethinking required to account for the relational, networked subjectivity and texts that are evolving within digital platforms and practices. The role of algorithms and datafication—the process through which experiences, knowledge, and lives are turned into data—as corporate, non-consensual co-authors of online auto/biographical texts particularly raises questions about the limits and agency of the human and the auto/biographical, with software not only coaxing, coercing, and coaching certain kinds of self-representation, but also, through the aggregating process of big data, creating its own versions of subjects for its own purposes. Data portraits, data mining, and data doubles are representations based on auto/biographical source texts, but not ones the original subject or their communities have imagined for themselves. However, the affordances and collaborations created by participation in the digital web also foster a networked agency through which individuals-in-relation can testify to and document experience in collective ways, working within and beyond the norms imagined by the corporate and machinic. The potential for posthuman testimony and the proliferation of autobiographical moments or “small data” suggest the potential of digital autobiographical practices to articulate what it means to be a human-in-relation, to be alive in a network.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.045
Threshold uncertainty score0.151

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0030.009
Scholarly communication0.0060.007
Open science0.0010.005
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0450.005

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.036
GPT teacher head0.288
Teacher spread0.252 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

Explore more

Same venueOxford Research Encyclopedia of LiteratureSame topicAutobiographical and Biographical WritingFrench-language works237,207