“Women in an Alien Land”- Nuances of Diasporic Identity and Survival in Bharati Mukherjee’s Desirable Daughters
Bibliographic record
Abstract
Bharati Mukherjee, an Indian Born, Canadian/ American novelist has made a deep impression on the literary canvass. The prime premise of her works is the issues encountered by women in the foreign atmosphere. As a diasporic author most of her characters are ‘displaced’ and ‘alienated’ from the land of origin to USA where they are ‘simultaneously invisible’ as an individual and ‘overexposed’ as a racial minority. Focusing on Mukherjee’s Desirable Daughters, first of the trilogy including The Tree Bride and Miss New India, the present paper attempts to analyze the complexities of diasporic identity and the process of re-birth and re-invention of Indian women immigrants to adapt in the new world. A story of three sisters- Padma, Parvati and Tara, the novel showcases the problems of identity of Indian immigrant women in an alien society as they suffer from ‘no greater visibility but great marginality’. The problem with these sisters is not only that are immigrants but what makes their condition worse is their gender as well. Being with the label of ‘second sex’, these women are often confronted by a double quest- quest for identity as a woman first and second as a displaced human being in an alien world. The diasporic situation in fact entangles the sisters into a maze- standing between two worlds-with complex realities of unequal cultural dynamics of the traditional homeland and liberal spaces of host land- they tend to experience conflicting subjectivities of freedom and subjugation, yet they do find a way for self-exploration and deliberation to conceive new identities and move beyond the fixed definitions of diasporic Indian women. So, my paper will be a modest attempt to unravel the nuances of diasporic identity which is always a matter of ‘becoming’ as well as of ‘being’ and to highlight the extremely individualistic ways of survival of the three immigrant sisters in an apparently alien culture.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.026 | 0.023 |
| Scholarly communication | 0.008 | 0.003 |
| Open science | 0.001 | 0.009 |
| Research integrity | 0.002 | 0.005 |
| Insufficient payload (model declined to judge) | 0.003 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".