MétaCan
Menu
Back to cohort
Record W4311417482 · doi:10.1097/mao.0000000000003752

COMMENT ON “NOVEL WEB-BASED MUSIC RE-ENGINEERING SOFTWARE FOR ENHANCEMENT OF MUSIC ENJOYMENT AMONG COCHLEAR IMPLANTEES” BY HWA ET AL. (OTOL NEUROTOL 2021;42(9))

2022· letter· en· W4311417482 on OpenAlexaff
Rainer Martin, Wim Buyens, Anil Nagathil, Waldo Nogueira, Bas van Dijk, Jan Wouters

Bibliographic record

VenueOtology & Neurotology · 2022
Typeletter
Languageen
FieldNeuroscience
TopicHearing Loss and Rehabilitation
Canadian institutionsCenter for Diagnosis and Research on Alzheimer's Disease
Fundersnot available
KeywordsPreprocessorContext (archaeology)Bass (fish)Computer scienceSoftwareArtificial intelligence

Abstract

fetched live from OpenAlex

To the Editor With great interest, we have read the recent article “Novel web-based music re-engineering software for enhancement of music enjoyment among cochlear implantees” by Hwa et al. (Otol Neurotol 2021;42(9), 1347–1354), which reports on a music preprocessing method for cochlear implants (CIs) and presents an evaluation with CI users. Although we acknowledge the novel contributions of this study, we disagree with claims made by the authors regarding the novelty of “music re-engineering for CIs” per se and the first use of harmonic/percussive source separation (HPSS) methods in this field, and like to point toward a number of relevant publications from our groups, which have not been considered in the mentioned article. In fact, music preprocessing for CIs has been investigated for almost a decade now. In their pioneering work, Buyens et al. (1) studied the effect of music remixing on music preferences in CI users and found that remixes with amplified vocals, bass, and drums were favored over the original mix. This finding led to the development of several music preprocessing algorithms. HPSS (e.g., Ono et al. (2), Driedger et al. (3)), and remixing was first proposed in the context of music processing for CIs by Buyens et al. (4–6). As an alternative to the HPSS approach, deep-learning–based algorithms for blind source separation and remixing were also derived and evaluated (Pons et al. (7), Gajȩcki and Nogueira (8), Tahmasebi et al. (9)). A different strategy based on dimensionality reduction and sparse subspace tracking methods in the time-frequency domain, which is particularly suited for classical music, was proposed by Nagathil et al. (10,11) and Gauer et al. (12–14). Lentz et al. (15) combined the dimensionality reduction approach with HPSS, facilitating its application to a wider range of music genres. An overview on many of these approaches was presented by Nogueira et al. (16). It seems that both authors and reviewers of the article mentioned previously have completely overlooked all of these publications. We hope that, with this letter, we may contribute to bridging apparently disparate scientific communities. Rainer Martin, Ph.D. Institute of Communication Acoustics Ruhr-Universität Bochum Germany [email protected]Wim Buyens, Ph.D. SoundTalks, Leuven, BelgiumAnil Nagathil, Ph.D. Institute of Communication Acoustics Ruhr-Universität Bochum GermanyWaldo Nogueira, Ph.D. Hanover Medical School and Cluster of Excellence “Hearing4all,” Hanover GermanyBas van Dijk, Ph.D. Cochlear Technology Centre Cochlear Ltd., Mechelen, BelgiumJan Wouters, Ph.D. Department Neurosciences KU Leuven, Belgium

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.005
metaresearch head score (Gemma)0.033
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Commentary · Consensus signal: Commentary
Teacher disagreement score0.032
Threshold uncertainty score0.029

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0050.033
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.002
Bibliometrics0.0010.001
Science and technology studies0.0030.003
Scholarly communication0.0030.004
Open science0.0040.002
Research integrity0.0320.034
Insufficient payload (model declined to judge)0.0090.009

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.276
Teacher spread0.242 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreCommentary

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

Explore more

Same venueOtology & NeurotologySame topicHearing Loss and RehabilitationFrench-language works237,207