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Record W4312178693 · doi:10.18146/view.287

Satire in Putin's Russia: Cynical Distance as a Tool of State Power

2022· article· en· W4312178693 on OpenAlexaff
Jeffrey Brassard

Bibliographic record

VenueVIEW Journal of European Television History and Culture · 2022
Typearticle
Languageen
FieldSocial Sciences
TopicSociopolitical Dynamics in Russia
Canadian institutionsUniversity of Alberta
Fundersnot available
KeywordsPoliticsReignState (computer science)CommunismComedyPolitical scienceGovernment (linguistics)Power (physics)Public opinionEconomic historyLawPolitical economyMedia studiesSociologyHistoryLiteratureArt

Abstract

fetched live from OpenAlex

For a brief period following the collapse of the Soviet Union, a degree of political freedom existed in Russia that allowed political satire to appear on television. Different oligarchs purchased important television channels and used them to push the Boris Yeltsin government to approve policies favorable to their business interests by polarizing public opinion against the government. The fractious nature of Russian media in the 1990s and the battles for influence between different oligarchs created an environment in which political satire existed openly in Russian culture, which had not been permitted during the nearly seventy years of communist rule. A particularly significant example of this was NTV’s program Kukli (Puppets) (1994-2002) based on the UK program Spitting Image, which featured puppet versions of prominent Russian politicians, and aired three-hundred-sixty-three episodes. Yeltsin unexpectedly resigned as president of Russia on December 31, 1999, and was succeeded by Vladimir Putin, who has remained the central political figure in Russia since then. Putin’s government almost immediately began to reign in media freedoms. By the end of 2002, all of Russia’s major media properties were under the control of either a state-owned company or close allies of the Russian government. Unsurprisingly Kukli was taken off the air that year, and political satire disappeared from Russian mass culture. This paper will map out the development of Russian satire on television since the collapse of the Soviet Union. Using prominent examples from unscripted standup comedy, evening variety shows and scripted dramas that are openly political and apparently apolitical, this paper argues the Russian television industry engages with and subverts the potential of various satirical genres resulting in the creation of cynical distance that potentially impedes the ability of satire to speak truth to power.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.936
Threshold uncertainty score0.935

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.277
Teacher spread0.264 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes1
Has abstractyes

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Same venueVIEW Journal of European Television History and CultureSame topicSociopolitical Dynamics in RussiaFrench-language works237,207