Bibliographic record
Abstract
The modern period (1800–1500) saw important innovations as philosophy of music moved in dramatically different directions. The first innovation was the incorporation of philosophy of music into philosophical systems, either absolute idealist or Marxist. These philosophers also held that music provides important insights into reality. In this stream of philosophy of music are found the seeds of Continental philosophy of music. The other, diametrically opposed, development was the rapid rise of formalist approaches to philosophy of music. These writers stressed the autonomy of musical beauty. A third stream within modern philosophy of music is continuous with earlier thinking about music. It opposed formalism without adopting a grand weltanschauung. Ontology of musical works emerges as a topic for philosophical discussion. Thinkers discussed include Hegel, Schelling, Schopenhauer, Wagner, Nietzsche, Ernst Bloch, Adorno, Friedrich Schleiermacher, Nicolai Hartmann, Carroll C. Pratt, Susanne Langer, Kierkegaard, Wittgenstein, Vladimir Jankélévitch, Darwin, Herbert Spencer, Hanslick, Edmund Gurney, Vernon Lee (Violet Paget), R. G. Collingwood and Roman Ingarden.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.002 | 0.003 |
| Scholarly communication | 0.002 | 0.004 |
| Open science | 0.000 | 0.002 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.026 | 0.005 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".