L’écriture des traités de rhétorique des origines à la Renaissance éd. par Sophie Conte, Sandrine Dubel
Bibliographic record
Abstract
324 RHETORICA claim that "Despite his ambivalence with regard to rhetoric, Milton remain ed loyal in many respects to the tradition of the rhetoric handbooks, of Wilson, Peacham and Puttenham, on which he and his generation, in educa tional terms, were raised" (29), a claim repeated in various ways through out. I can think of no reason whatsoever to assume that Milton depended on English vernacular summaries of classical rhetoric unless it be that Lynch is relying on an outdated narrative about English Renaissance rhetoric. In reality, these English vernacular texts were so meagerly published as to make virtually no contribution to early education; neither were these texts included in any university curricula (Green 74-76). This is not to say that Lynch's 27-page bibliography does not already include many of the author itative texts for her discussion, yet other texts are missing, such as recent work on Milton and rhetoric by William Pallister and James Egan or Stephen B. Dobranski's magisterial summary of earlier Samson Agonistes criticism. But one might work forever to produce the perfect book. In the one that we have here, Lynch makes some original contributions to various conversations. Historians of rhetoric with an interest in her topics or period may well find in her text some new directions for those conversations. Stephen B. Dobranski, A Variorum Commentary on the Poems of John Milton: Volume 3, Samson Agonistes, intro. Archie Burnett, ed. P. J. Klemp (Pittsburgh: Duquesne University Press, 2009). James Egan, "Oratory and Animadversion: Rhetorical Signatures in Milton's Pam phlets of 1649," Rhetorica 27 (2009): 189-217. James Egan, "Rhetoric and Poetic in Milton's Polemics of 1659-60," Rhetorica 31 (2013): 73-110. Lawrence D. Green, “Grammatica Movet: Renaissance Grammar Books and Elocutio," in Peter L. Oesterreich and Thomas O. Sloane, eds., Rhetorica Movet: Studies in Historical and Modern Rhetoric in Honour or Heinrich F. Plett (Leiden: Brill, 1999), 73-115. William Pallister, Between Worlds: The Rhetorical Universe of Paradise Lost (Toronto: University of Toronto Press, 2008). Daniel Shore, Milton and the Art of Rhetoric (Cambridge: Cambridge University Press, 2012). Jameela Lares The University of Southern Mississippi L écriture des traités de rhétorique des origines à la Renaissance, textes édités par Sophie Conte et Sandrine Dubel, Ausonius, Scripta Antiqua 87, Bordeaux 2016, 241 pages. ISBN: 9782356131614 Ce livre, qui rassemble 11 contributions, traite un sujet qui est souvent abordé dans les ouvrages sur la rhétorique de manière indirecte ou margi nale . 1 écriture des traités de rhétorique, c'est-à-dire leur forme et leur style. Reviews 325 L idée majeure est qu il y a à la fois homologie entre le fond et la forme et contamination de la forme par le fond. Posée au début de Pouvrage avec une citation de Boileau - traducteur et éditeur du Traité du sublime au XVIIe siècle . « Souvent il fait la figure qu'il enseigne et, en parlant du sublime, il est lui-même très sublime », cette idée se décline sur différents plans : la composition des traités, leur mode d énonciation, les métaphores récurren tes, la place des citations et des exemples. Sont pris en compte à la fois les traités grecs et les traités latins, l'ordre suivi étant l'ordre chronologique, avec successivement des articles sur la Rhétorique à Alexandre, Démétrios (le Pseudo-Démétrios de Phalère), la Rhétorique à Hérennius, le De oratore de Cicéron, Denys d'Halicarnasse, le Traité du sublime, Quintilien, Fronton, les Progymnasmata d'Aphthonios, Martianus Capella, et enfin, sur un plan un peu différent et en guise d'ouverture finale, des traités de poétique de la Renaissance. Il y a nécessairement des manques, comme Isocrate, Aristote ou les autres traités de Cicéron, mais ces textes sont pris en compte à propos d'autres traités ; et surtout, l'introduction générale y pallie en présentant l'ensemble de la production rhétorique. Notons que la bibliographie, pré sentée à la fin de chaque article, est à jour et véritablement multilingue. L'Introduction, due à Sophie Conte, est...
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.003 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.002 | 0.001 |
| Science and technology studies | 0.003 | 0.006 |
| Scholarly communication | 0.006 | 0.005 |
| Open science | 0.001 | 0.001 |
| Research integrity | 0.002 | 0.006 |
| Insufficient payload (model declined to judge) | 0.007 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".