Bibliographic record
Abstract
The subject of the research is an overview of the foreign theatrical and film adaptations of The Cherry Orchard’s play written by A.P. Chekhov. The aim of the study is to analyze the adaptation of a literary work through non-verbal sign systems. In this regard, the following task is formed: how is the problem of equivalence reflected in the translation from the original language of a literary text into the language of screen images in the Canadian theatrical production and in the cinema of Sri Lanka. The investigation is based on Linda Hutcheon's adaptation theory, postulated that when literary text is transcoded in the process of adapting into any other form sich video game or a musical, this form of transformation is most likely to be seen as a secondary creation and certainly will not be as good as the original text. The question raises — can we give consideration to a theatrical or film adaptation as an individual creation in relation to the original text, despite its connection with it at different levels? Our conclusions are based on the fact, which a literary work in the secondary adaptation may not be inferior to the original and may even be better.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.005 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.006 | 0.016 |
| Scholarly communication | 0.007 | 0.002 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.003 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".