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Record W4365807465 · doi:10.2979/transition.131.1.12

Sound and Vision: Interview with Aunt Lorna

2021· article· en· W4365807465 on OpenAlexaboutno aff
Camille Goodison

Bibliographic record

VenueTransition · 2021
Typearticle
Languageen
FieldSocial Sciences
TopicCanadian Identity and History
Canadian institutionsnot available
Fundersnot available
KeywordsPoetryMedalTheme (computing)Art historyQueen (butterfly)LiteratureArtGold medalThe artsHistoryVisual arts

Abstract

fetched live from OpenAlex

Gifts of Sound and Vision:An Interview with Poet Lorna Goodison Camille Goodison (bio) and Lorna Goodison (bio) Over the course of her writing career, Lorna Goodison has published more than fifteen collections of poetry. These include I Am Becoming My Mother, her second book, which nabbed a Commonwealth Poetry Prize for the Americas in 1986. I Am Becoming My Mother celebrates the strength and character of women like Goodison's mother, women both ordinary and extraordinary, a strong theme found in much of her writing. Other titles that will be familiar to fans of Caribbean poetry are Guinea Woman (2000), Travelling Mercies (2001), Controlling the Silver (2005), Supplying Salt and Light (2013), and Oracabessa (2013). Oracabessa, Goodison's twelfth book of poems—recognized by the Caribbean's Bocas Prize in 2014—featured poems about the places, cities and countries that have inspired the poet on her many and various world travels. Her most recent poetry collection is Mother Muse (Carcanet Press, 2021). Other awards Lorna Goodison has received for her body of work include Yale's Windham-Campbell Literature Prize (2018); a Jamaican Order of Distinction (2013) for lifetime achievement; and Jamaica's Musgrave Gold Medal (1999). She was elected to the American Academy of Arts and Sciences and awarded the Queen's Gold Medal for Poetry (2019). Her Queen's Gold Medal for Poetry puts her in the company of past winners such as famed Anglo-American poet, W. H. Auden, and Nobel laureate Derek Walcott. Judging from a list of past winners, from 1934 to the present, it appears Lorna Goodison may be the first black woman ever awarded that prize. As with her poetry, Goodison's books of prose have likewise received much critical acclaim, in particular, her family memoir, From Harvey River: A Memoir of My Mother and Her People. From Harvey River earned the commendation of critics worldwide, including the National Award for Canadian Non-Fiction in 2009. [End Page 130] One could say Lorna Goodison's official writing life began in 1969 with the publishing of her poem, "New York Is a Subway Stop." She wrote it while enrolled as an art student at the Art Students League in New York. Through five decades of writing, Goodison has managed to establish a literary career that is as prolific as it is distinguished. Within those five decades, she has earned her reputation as one of the Caribbean's most prominent and respected poets. Lorna Goodison was named Poet Laureate of Jamaica from 2017 until 2020 when she relinquished the title for a more conventional retirement. She has questioned her listing as only the second person named to this position, following distinguished writer and professor, Mervyn Morris. She includes Jamaican literary legends Tom Redcam, J.E. Clare McFarlane and Claude McKay as some of the notables who may have occupied the poet laureate position officially or in a similar capacity. Goodison's work is widely anthologized and can be found in the Norton Anthology of Modern and Contemporary Poetry, Norton Anthology of World Masterpieces, and Longman Masters of British Literature. For me, Lorna Goodison's poetic vision is breathtakingly wide. Her poetry displays a sincere and deep love for life; her words, a feast for the senses. In her work, she remains completely loyal to Jamaica, the island nation of her birth. Wherever in the world she finds herself, the Caribbean Sea is not far away. Certain topics and themes recur: observations about womanhood, national identity, family, geography, race and culture. She plays with what some may consider high and low brow language (let's say academic and folk), unselfconsciously mingling the two and everything else in between. With her characteristic playfulness and lyricism, her poems capture the incongruencies of Caribbean history, while the still vibrant worlds of Caribbean life and culture are felt. Whether she's describing a particular person or place in Jamaica, or elsewhere in the world, she makes skillful use of her knowledge of music, art, history, folklore, language, and popular culture. Her insightful observations reflect the curiosity of someone who is at home anywhere in the world. Even when her poetic sights are set on life in her native...

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.012
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.935
Threshold uncertainty score0.130

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.012
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0020.001
Science and technology studies0.0310.010
Scholarly communication0.0060.008
Open science0.0020.005
Research integrity0.0060.018
Insufficient payload (model declined to judge)0.0090.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.259
Teacher spread0.243 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2021
Admission routes1
Has abstractyes

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