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Record W4375932201 · doi:10.7202/1099164ar

Marcelle Deschênes

2023· article· fr· W4375932201 on OpenAlexvenueaboutno aff
Roxanne Turcotte

Bibliographic record

VenueCircuit Musiques contemporaines · 2023
Typearticle
Languagefr
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArtHumanities

Abstract

fetched live from OpenAlex

Marcelle Deschênes, pionnière de la composition électroacoustique, pianiste, pédagogue et artiste multimédia. Née en 1939 à Price, Marcelle Deschênes a fait sa marque dans les années 1980 et crée le tout premier programme de composition électroacoustique de la Faculté de musique de l’Université de Montréal. Elle s’implique au sein d’organismes et groupes de recherche et ouvre la voie aux femmes dans un domaine pratiquement exclusivement masculin. Elle travaille également auprès des jeunes et des non-musiciens. Elle se démarque, notamment, par ses spectacles multimédias à grand déploiement et sa démarche créatrice innovatrice à l’ère des Laurie Anderson, Michel Lemieux, La La La Human Steps. Elle s’entoure de collaborateurs tels que Raôul Duguay, Les Mimes Électriques, Jacques Collin, Paul St-Jean (L’Écran humain) à une époque où tout est permis et où la scène fait partie intégrante de la production musicale dite de tradition classique. Une période musicale éclatée et totalement nouvelle dans toutes les sphères artistiques.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.057
Threshold uncertainty score0.190

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.005
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0030.002
Scholarly communication0.0040.004
Open science0.0010.002
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0570.031

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.101
GPT teacher head0.280
Teacher spread0.179 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2023
Admission routes2
Has abstractyes

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Same venueCircuit Musiques contemporainesSame topicMusic Technology and Sound StudiesFrench-language works237,207