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Record W4379653269 · doi:10.32920/ifmj.v3i1.1681

Complexity in Postmigrant Narratives of I-Docs

2023· article· en· W4379653269 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueInteractive Film and Media Journal · 2023
Typearticle
Languageen
FieldSocial Sciences
TopicMedia Studies and Communication
Canadian institutionsnot available
Fundersnot available
KeywordsInteractivityConflationNarrativeSociologyEpistemologyPerceptionCitizen journalismPerspective (graphical)NegotiationPolyphonyPoliticsDeconstruction (building)Relation (database)Social mediaSocial psychologyAestheticsPsychologySocial scienceComputer scienceLinguisticsPolitical scienceWorld Wide Web

Abstract

fetched live from OpenAlex

What epistemological potential do participatory organized web documentaries offer in comparison to 'conventional' documentaries? Does a closer analysis reveal differences between different participatory approaches? And what role does the construction of complexity play in terms of emancipatory effects? These are the initial questions of my contribution which deals with an epistemology of participatory web documentaries in relation to the construction of complex knowledge worlds. It starts with a theoretical deconstruction of different notions of participation and their application in web documentaries. In doing so, the constructed frames of reference and narratives, the functioning of the developed self-designs as well as the negotiation processes of design are also examined with respect to their epistemological potential. Still, the concept of participation calls for differentiation and clarification in general and its use in individual cases; all too often the term "participation" has been used vaguely and turned into an umbrella term under which medial interactivity and participation, social and political participation, and cultural perception and recognition are conflated. It is precisely the equation of media participation with social and political participation that seems problematic here. From the perspective of a critique of dividuation inspired by Gilles Deleuze and presented for example by Michaela Ott, participation seems to make sense only if it critically reflects the passivization imposed by digital communication and the entanglement of individuals in a complex network of social, cultural, and technological references – hence also normalized, stereotypical patterns of perception and cognition. Ultimately, this requires an examination of antagonistic, polyphonic, multi-perspectival and multi-media, thus also media self-reflexive forms of expression on different levels, which must be negotiated in their interplay. In short, this requires an examination of the medial construction of relational forms of complexity, which is the prerequisite for participation to have an emancipatory effect at all. The paper will fathom this theoretical context by an analysis of paradigmatically selected participatory web documentaries, examining different forms of complexity with regard to their epistemological and emancipatory potential. Thus, I will argue for a methodological shift of perspective that leads from an analysis of works to an analysis of their processuality. This – in the end, makes it necessary to recognize that it is also a question of how the various notions of participation – ranging from strategies of voice-giving realized in web-documentaries to dimensions of engaged listening – can contribute in their own respect to the development of polyphonic, multifaceted perspectives and make doing documentary a medium for negotiating positions and a means for self-empowerment of the stakeholders involved in these processes.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.309
Threshold uncertainty score0.357

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.095
GPT teacher head0.384
Teacher spread0.289 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it