MétaCan
Menu
Back to cohort
Record W4380880709 · doi:10.3138/ctr.111.010

Loreena McKennitt, Merchant of Song

2002· article· en· W4380880709 on OpenAlexvenueaboutno aff
Judy van Rhijn

Bibliographic record

VenueCanadian Theatre Review · 2002
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsMusicalAppealStyle (visual arts)ArtAestheticsRace (biology)LiteratureMediationCeltic languagesPopular musicVisual artsHistorySociologyGender studiesLawPolitical scienceSocial science

Abstract

fetched live from OpenAlex

It has always been a challenge to make Shakespeare’s plays relevant, adapting them to current tastes and times. His themes may be universal but the Elizabethan idiom in which he writes became a burden even to the generation that followed his, and in The Merchant of Venice, in particular, Elizabethan attitudes to race and gender, among other things, require mediation before contemporary audiences. In overcoming the historical and cultural divide, a director can be assisted by a musical score that appeals to contemporary audiences and connects them to the Shakespearean experience. One Canadian artist who brings both musical authenticity and considerable popular appeal to a production is Loreena McKennitt. Although popularly known as a Celtic musician, McKennitt’s reservoir of sources encompasses the Shakespearean era and the wider European world where he set many of his plays. In theatre, her distinctive musical style has been effectively used to adapt Shakespeare to modern tastes.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.702
Threshold uncertainty score0.982

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0190.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.043
GPT teacher head0.201
Teacher spread0.157 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2002
Admission routes2
Has abstractyes

Explore more

Same venueCanadian Theatre ReviewSame topicTheater, Performance, and Music HistoryFrench-language works237,207