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Record W4380925735 · doi:10.3138/ctr.135.025

Views and Reviews

2008· article· en· W4380925735 on OpenAlexvenueno aff
Andrew Houston

Bibliographic record

VenueCanadian Theatre Review · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsDramaturgyConversationPremiseAestheticsProduction (economics)Space (punctuation)Quality (philosophy)Point (geometry)ArtSociologyVisual artsEpistemologyLinguisticsCommunicationPhilosophy

Abstract

fetched live from OpenAlex

A good deal of dramaturgy is focused on content. A discussion of whether or not a production is successful will often revolve around the quality of the play: whether the premise, themes or characters are credible; or perhaps whether the story was worth the effort of production. If the focus shifts to the production, there may be conversation about the casting, acting, directing, or design. On rare occasions, serious consideration may be given to the program for the production or perhaps to how the show was promoted to the public. All of these are very good points of discussion about any performance in the theatre; however, there is rarely — if ever — any discussion about form: Why did this performance begin with a play? Or, why did the performers play characters? Why did a performance happen in a theatre, as opposed to some other place? Why perform for a live audience? All are possible questions that seem rarely asked, perhaps because they are considered beside the point… . But why? If we can agree that most theatre productions, on one level or another, are manifestations of the dreams of those who create them, and that, therefore, theatre is a space of public dreaming, it might be a really good idea to consider why our “dreams” assume the form they do.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.390
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0030.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.079
GPT teacher head0.254
Teacher spread0.175 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2008
Admission routes1
Has abstractyes

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