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Record W4380925935 · doi:10.3138/ctr.135.019

Empowering Actors: Devised Theatre Training at Humber College

2008· article· en· W4380925935 on OpenAlexvenueaboutno aff
Diana Belshaw

Bibliographic record

VenueCanadian Theatre Review · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsVisual artsPolitical theatreIrishDramaPerformance artArtMedia studiesSociologyArt history

Abstract

fetched live from OpenAlex

When I started teaching in the theatre program at Humber College in 1998, I had never heard the term “devised theatre.” We talked vaguely about “physical theatre” or “creation-based training,” and even then most people didn’t know what we were talking about. Was it Lecoq? Was it Grotowski? Was it collective creation à la Passe Muraille? Where did it come from and why would anyone want or need to train in it? My understanding of this vaguely named, and even more vaguely defined, approach was rooted in the work of Primus Theatre in Winnipeg, fed by a number of productions that surfaced occasionally at Toronto’s World Stage Festival and wrestled with over long conversations (and bottles of Irish whiskey) with Richard Fowler. Devised theatre became a term applied to productions — but where was the training that made it possible? Was it only for artists of seemingly superior intellectual capacity or did it contain something that could speak to a wider and more disparate community? Somewhere in the mists of my brain an idea started to form that would bring several of my passionate beliefs about contemporary theatre training together.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.374
Threshold uncertainty score0.743

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.003
Science and technology studies0.0050.003
Scholarly communication0.0040.002
Open science0.0010.002
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0090.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.060
GPT teacher head0.261
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2008
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207