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Record W4380926267 · doi:10.3138/ctr.110.009

<i>Gold Mountain Guest</i>: A Director’s Diary

2002· article· en· W4380926267 on OpenAlexvenueaboutno aff
John James Hong

Bibliographic record

VenueCanadian Theatre Review · 2002
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsHonourHAMLET (protein complex)AdventurePopulationIrishVisual artsHistoryClubArtArt historyMedia studiesSociologyArchaeologyLiterature

Abstract

fetched live from OpenAlex

It’s funny, I’ve only become more in touch with my Chinese heritage since I became a theatre professional. I grew up in a tiny farming community in southern Alberta, the son of a Chinese shopkeeper, whose own father came to this country to build the railway. My grandfather abandoned the harsh railway life and walked through the Rockies, finally settling in the hamlet of Cluny (population 87), which sits on the bald Alberta prairie about halfway between Calgary and Medicine Hat. As the only Chinese family in such a small town, I spent my youth trying very hard not to be Chinese. My mother was Caucasian, so I gravitated toward her Irish heritage much more than my father’s traditions. Fast-forward several years: upon finishing my theatre training at the University of Calgary, I got my initial professional work because I was Chinese. I was confused . . . suddenly being Chinese was a good thing. I was fortunate to be cast in two separate productions of Madama. Butterfly, one at Alberta Theatre Projects, and then at the Arts Club Theatre in Vancouver, where I now live and work. I got several more parts because of my Chinese background and through that I delved deeper into the history and adventures of the Chinese side of my family; what had been a badge of shame as a child has grown into one of great honour.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.098
Threshold uncertainty score0.194

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0090.001
Scholarly communication0.0040.003
Open science0.0010.003
Research integrity0.0010.005
Insufficient payload (model declined to judge)0.0430.015

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.032
GPT teacher head0.222
Teacher spread0.190 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2002
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207