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Record W4380926274 · doi:10.3138/ctr.140.015

At Home in Exile

2009· article· en· W4380926274 on OpenAlexvenueaboutno aff
Allan Pero

Bibliographic record

VenueCanadian Theatre Review · 2009
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsMulticulturalismDramaContext (archaeology)UncannyCommonwealthRepresentation (politics)Privilege (computing)PoliticsAestheticsSociologyMedia studiesHistoryGender studiesLawVisual artsArtPolitical scienceArchaeology

Abstract

fetched live from OpenAlex

This study attempts an important incursion into a dynamic and under-theorized dimension of drama and performance studies: the chiastic spaces of politics, memory and representation within and without the Australian stage. Tompkins’s task is to explore how contemporary drama and performance work toward a re-imagining or unsettling of the ways in which particular ideas of “Australia” have been mapped, constituted, defended and perpetuated by discourses of colonization and white privilege. As a result, she asks us, in her refinement of the concepts in Una Chaudhuri and Elinor Fuchs’s volume Land/ Scape/ Theater, to remain attentive to ideas of space, place and landscape as intellectually and politically contested sites. Such a request is germane to a Canadian context not only because we share with Australia a historical relation to the British Empire and Commonwealth but also because Australia has adopted and adapted Canada’s policy of multiculturalism to suit its own purposes. In this respect, Australia’s imbrications of the postcolonial have some uncanny similarities to those experienced here in Canada.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.104
Threshold uncertainty score0.208

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0100.003
Scholarly communication0.0040.003
Open science0.0010.006
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0510.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.234
Teacher spread0.206 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2009
Admission routes2
Has abstractyes

Explore more

Same venueCanadian Theatre Review→Same topicTheatre and Performance Studies→French-language works237,207→