MétaCan
Menu
Back to cohort
Record W4380928302 · doi:10.3138/ctr.130.fm

Come Away: Remembering Mavor Moore

2007· article· en· W4380928302 on OpenAlexvenueno aff
Alan Filewod

Bibliographic record

VenueCanadian Theatre Review · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsBiographyGirlHistoryGreat DepressionAestheticsPerformance artArtPsychoanalysisArt historySociologyVisual artsPsychology

Abstract

fetched live from OpenAlex

In his most poignant and lyrical play, Come Away, Come Away, Mavor Moore imagined death as a little girl gently leading an old man away in a park. When it played on CBC-TV in 1972, Mavor — it still seems impossible to call him anything else — was at the peak of a brilliant career. That his success should lead to scenarios of imagined death is not surprising because as he later explored in detail in his 1994 autobiography, his many successes were accompanied by depression and self-doubt. Anticipating the inevitability of his own death, he scripted the best possible and lived long enough to produce it. “Produce” may be a curious way to speak of a death, but Mavor was, among his many professions, foremost a producer, for whom the boundaries of life and theatre were always troubled.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.228
Threshold uncertainty score0.453

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.006
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0070.003
Scholarly communication0.0040.003
Open science0.0010.002
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0070.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.249
Teacher spread0.216 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207