Bibliographic record
Abstract
Elsinore, created and performed by Robert Lepage in English and French versions, previewed in French at the Monument Nationale, Montreal, in November 1995, co-produced with Ex Machina, the National Arts Centre, Centre Culturel de l’université de Sherbrooke, Corporation du Centre Culturel de Drummondville, Robert Lepage Inc., Philippe Sikdevuka, Marie-Soleil St-Michel, Les Productions d’Albert Inc., Production Specta, Le Menage-Scene Nationale de Maugeuge, La Maison des Arts de Crétail, Hebbel Theater Berlin, KunstenFESTIVAL des arts Bruxelles, Helinski Festival, Göteborg Dans & Theater Festival, National Teatret Oslo, Aaarhus Festuge, Kampnagel Theatre Hamburg, Rotterdase Schouwburg, Festival International des Francophones en Limousin/Theatre de 1’Union-Centre dramatique de Limoges and Change Performing Arts Milano. It previewed in English at the Athaneum Theatre in Chicago, 15-17 February 1996 and premiered in English at the DuMaurier World Stage Festival, Toronto, 20 April 1996, written and directed by Robert Lepage, with set by Carl Fillion, costumes by Yvan Gaudin, lighting by Alain Lortie and Nancy Mongrain, music by Robert Caux, fights by Jean François Gagnon and multimedia by Jacques Collin, with Pierre Bernier as Hamlet’s double and with Michael Mackenzie as consultant on the English adaptation. The revised version published here premiered in Ottawa, 9 September 1997, and was performed by Peter Darling, with set design by Robert Fillion, costume design by Yvan Gaudin, lighting design by Alain Lortie and Nancy Mongrain, original music and keyboards by Robert Caux, multimedia by Jacques Collin and props by Manon Desmarais.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.002 | 0.001 |
| Science and technology studies | 0.004 | 0.001 |
| Scholarly communication | 0.006 | 0.003 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.499 | 0.194 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".