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Record W4380929050 · doi:10.3138/ctr.107.012

Views and Reviews

2001· article· en· W4380929050 on OpenAlexvenueaboutno aff
Catherine Graham

Bibliographic record

VenueCanadian Theatre Review · 2001
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsnot available
Fundersnot available
KeywordsNewspaperCriticismDanceFront coverSection (typography)Media studiesAestheticsTask (project management)Visual artsArtSociologyHistoryCover (algebra)AdvertisingLiteratureManagementEngineering

Abstract

fetched live from OpenAlex

The review section in this issue includes three pieces that ask us to pay attention, albeit in different ways, to how performances meet their audiences. Katherine Cornell and Nadine Saxton’s opinion piece on dance criticism in Toronto points to a problem as relevant to readers of theatre reviews, or reviews of any kind of performance for that matter, as to those who call the dance world of Toronto their artistic home. Do we really expect newspaper reviewers to be sensitive critics of our art forms, or is their role simply to sell newspapers by entertaining their readers with witty commentary, whatever the cost to the artists and institutions they cover? And if we want to be the kind of critics who help Canadian theatrical performance develop in all its possible forms, how should we approach the task of criticism? This is a question CTR has engaged regularly since its first issues and one to which we are fortunate enough never to have found a definitive answer.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.007
metaresearch head score (Gemma)0.044
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.075
Threshold uncertainty score0.251

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0070.044
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0040.006
Science and technology studies0.0020.002
Scholarly communication0.0070.004
Open science0.0040.003
Research integrity0.0090.007
Insufficient payload (model declined to judge)0.0750.076

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.052
GPT teacher head0.235
Teacher spread0.183 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2001
Admission routes2
Has abstractyes

Explore more

Same venueCanadian Theatre Review→Same topicTheater, Performance, and Music History→French-language works237,207→