Bibliographic record
Abstract
In Canadian music classrooms, composing is much less common than performing. For many years, mandated music curricula and teachers’ practices emphasized learning to play instruments and sing, with only very limited attention to nurturing young composers. Currently, composing is much better represented in mandated curricula than it has been in the past, but teachers’ practices still heavily emphasize the development of performance skills. This chapter begins by reporting research indicating the extent to which music educators nurture composing in their programs. It then offers examples of mandated curriculum expectations and recommended practices at elementary and secondary levels. The author then provides a synthesis of ten years of Canadian professional music education literature that addresses the teaching and learning of composing (26 articles), describing in detail and providing examples related to four themes that have emerged as prominent: (a) the need for more creative opportunities in music classrooms; (b) recommended composing approaches (including games and exercises, working with sound and soundscapes, graphic scores, and songwriting); (c) applying creativity research to nurturing composing; and (d) encouraging teachers to teach composing even though it is outside their comfort zone.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.004 |
| Science and technology studies | 0.011 | 0.003 |
| Scholarly communication | 0.003 | 0.001 |
| Open science | 0.001 | 0.001 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.008 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".