MétaCan
Menu
Back to cohort
Record W4385656503 · doi:10.7202/1101786ar

Rutherford Chang. The Record Collector as Artist-Curator

2023· article· en· W4385656503 on OpenAlexvenueno aff
Jim Drobnick

Bibliographic record

VenueRevue musicale OICRM · 2023
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsCreativityWhite (mutation)ArtCommodityArt historyInterrogationVisual artsLawPolitical scienceBusiness

Abstract

fetched live from OpenAlex

Record collectors judge their acquisitions by condition and rarity. Artist Rutherford Chang undermines such norms by seeking as many copies as possible, in whatever state, of one of the best-selling albums of all time: The Beatles (1968), or “the White Album.” After 50+ years, many of the 3 million numbered albums have become worn due to handling but also because of writing and drawing. Since 2013, the artist has accumulated over 3,200 copies—most that are chafed, scribbled upon, stained, or moldy. This article examines Chang’s project and its interrogation of fan appreciation and practices of consumption; the affects of aging and patina; the notion of collaborative creativity; and the role of the artist-curator. In amassing such a diverse array, We Buy White Albums highlights the variability of a mass-produced commodity while demonstrating the effectiveness of an artist-curatorial methodology to raise issues about the life and care of record albums.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.125
Threshold uncertainty score0.994

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0260.006

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.047
GPT teacher head0.217
Teacher spread0.170 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2023
Admission routes1
Has abstractyes

Explore more

Same venueRevue musicale OICRMSame topicMusic History and CultureFrench-language works237,207