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Record W4385886581 · doi:10.1177/000312240106600305

Intellectualization and Art World Development: Film in the United States

2001· article· en· W4385886581 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

fundA Canadian funder is recorded on the work.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueAmerican Sociological Review · 2001
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
FundersSocial Sciences and Humanities Research Council of CanadaHarvard University
KeywordsEntertainmentIdeologyArt worldIntellectualizationInstitutionalisationPerceptionSociologyFilm studiesAestheticsMedia studiesPolitical scienceArtVisual artsPsychologyMovie theaterArt historyPoliticsPerformance artLaw

Abstract

fetched live from OpenAlex

The social history of film in the United States is examined to illuminate the ideological and organizational foundations of the valuation of art. Attempts to valorize film as art began in film's first decades. Thereafter, a series of key events and actions in the late 1950s and 1960s, both inside and outside the film world, resulted in a shift in audiences’ perception of film—from a form of entertainment to a cultural genre that could properly be appreciated as art. This shift in perception was made possible by the opening of an artistic niche brought about by changes outside the film world, by the institutionalization of resources and practices within the film world, and by the employment of an intellectualizing discourse by film critics.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.758
Threshold uncertainty score0.328

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.078
GPT teacher head0.290
Teacher spread0.212 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it