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Record W4387842144 · doi:10.5539/ass.v19n6p20

The Origin of Su Embroidery

2023· article· en· W4387842144 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueAsian Social Science · 2023
Typearticle
Languageen
FieldComputer Science
TopicDigital Media and Visual Art
Canadian institutionsnot available
FundersFundamental Research Funds for the Central UniversitiesDonghua University
KeywordsPeriod (music)Style (visual arts)Spring and Autumn periodArtVisual artsAesthetics

Abstract

fetched live from OpenAlex

The connotations of Su embroidery have been enriched chronically. Su embroidery was recognized as a speciality of a specific geographical site when it was first taken as an art of style. Later both the place it was produced and the style of the products affected the evaluation of the embroidery. The technique of the Su embroidery was earlier recognized than its fame known as “Su Xiu” in Chinese. The recognition of its technique resulted from man’s esthetic need and the production of the needed instruments like thread, needle, fabric and dye. Thus the system of the techniques was formed between the middle and late period of Liangzhu Culture (28-20th century BC) and the Spring and Autumn Period and the Warring States Period (557-532 BC). The development of technology, the need of the market, and the influence of culture altogether brought out the name “Su Xiu” in the Zhengde period of the Ming Dynasty (1506-1521).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.903
Threshold uncertainty score0.428

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.002
Science and technology studies0.0010.001
Scholarly communication0.0000.001
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.325
Teacher spread0.294 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it