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Record W4387991922 · doi:10.1353/wlt.2023.a910271

Petit traité du racisme en Amérique by Dany Laferriére (review)

2023· article· fr· W4387991922 on OpenAlexaboutno aff
Edward Ousselin

Bibliographic record

VenueWorld Literature Today · 2023
Typearticle
Languagefr
FieldSocial Sciences
TopicMigration and Exile Studies
Canadian institutionsnot available
Fundersnot available
KeywordsRacismWhite (mutation)George (robot)Art historySociologyHistoryHumanitiesArtGender studies

Abstract

fetched live from OpenAlex

Reviewed by: Petit traité du racisme en Amérique by Dany Laferriére Edward Ousselin DANY LAFERRIÈRE Petit traité du racisme en Amérique Paris. Grasset. 2023. 256 pages. BORN IN HAITI in 1953, Dany Laferrière has been living abroad since 1976, mostly in Quebec, but also in Florida and in France. His first novel, How to Make Love to a Negro without Getting Tired (Laferrière favors provocative titles), was published in 1985. Some of his books, all written in French, have been translated into English (his personal account of the massive earthquake that struck Haiti in 2010 was reviewed in the May 2013 issue of WLT). Others have been adapted into films (e.g., Heading South, directed by Laurent Cantet in 2005). In 2013 Laferrière became a member of the Académie française. After fourteen novels, mainly addressing topics related to identity and exile, his Petit traité du racisme en Amérique (Short treatise on racism in America) is his first book on the issue of racism. Dedicated to Bessie Smith, it is obviously influenced by the recent series of documented cases of African Americans who were murdered by white police officers, of which the best-known case is Derek Chauvin suffocating George Floyd by kneeling on his neck for nearly ten minutes. Instead of a structured essay, this book offers a sort of kaleidoscopic arrangement of short texts, some in prose, some in a poetic format reminiscent of haikus (in 2008 Laferrière published a novel entitled I Am a Japanese Writer). Each section of the Petit traité, however short, has its own title. By way of illustration, here is a sampling of these titles: Le mot Nègre; La vie de l'autre; Blanc contre Noir; Le sentiment d'infériorité; La rage en Amérique; 9 min 29; La gloire d'Eleanor; L'afro d'Angela Davis; Langston Hughes à Port-au-Prince; Toni Morrison et Maya Angelou; Le Noir a peur du noir; Martin Luther King et René Lévesque. Laferrière's purpose in this book is not to provide a detailed accounting of all the recent deaths caused by racism. In a section entitled "L'esprit du livre," he explains that he seeks to bring out the human "flesh and pain" that lies within "the tragedy that is racism" and to point out that in each case, it is "a human being who was killed . . . and not a concept." His investigation of racism in America is more literary and psychological than historical or sociological. He points out that, due to his background as a Haitian exile living in Quebec and writing in French, his approach is somewhat different from that of other Black men and women who grew up in the United States. He also states that he is quite conscious of the levels of racism that exist in Canada or in France. He chose to write about America because of what he calls the "weight of numbers," or the fact that the number of African Americans is higher than the total population of Canada. In the United States, where the descendants of slaves live among the descendants of slave-owners, the historical legacy of slavery and the Jim Crow era is much more pervasive and visible. Neither despairing nor naïvely hopeful in tone, Laferrière's views on one of the most central problems of American society and culture are consistently insightful and thought-provoking. [End Page 58] Edward Ousselin Western Washington University Copyright © 2023 World Literature Today and the Board of Regents of the University of Oklahoma

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.017
Threshold uncertainty score0.056

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0020.003
Science and technology studies0.0010.001
Scholarly communication0.0020.002
Open science0.0010.001
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0170.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.280
Teacher spread0.271 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2023
Admission routes1
Has abstractyes

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Same venueWorld Literature TodaySame topicMigration and Exile StudiesFrench-language works237,207