MétaCan
Menu
Back to cohort
Record W4388498287 · doi:10.25071/2561-5467.1127

Blue Jacket Blues: Lost Recordings of Johnny Cash at the Naval War College – Live in ’75

2023· article· en· W4388498287 on OpenAlexvenueno aff
David Kohnen, Roy Cash

Bibliographic record

VenueThe Northern Mariner / Le marin du nord · 2023
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
FundersU.S. Naval War CollegeU.S. Navy
KeywordsBluesHistoryArt historyArtLyricsCashPrisonHumanitiesLiteratureArchaeology

Abstract

fetched live from OpenAlex

Sailors far from home often identified with the lyrics of traditional sea shanties, which highlighted the isolation and hard work on an unforgiving sea. Following in this tradition, American sailors also gravitated to the punchy diddy bopper rhythms and bleak lyrical storyline of Cash’s rockabilly classic, “Folsom Prison Blues” Since he scored that first hit in 1955, Cash has cast a very long shadow on American popular culture. Given all that has been written and generally remembered about Cash, many surprises remain unexplored in the remarkable chronology of his life and rise in popular American music. One such example is the previously undocumented performance by the “Man in Black” on St. Patrick’s Day in 1975 at the Naval War College in Newport, Rhode Island. Using recently rediscovered audio from the event, this article examines the concert, as well as the broader influence of Cash upon popular culture, the role of military service upon his work, his intimate connection with the Naval War College, and his broader impact on the United States military. Les marins loin de chez eux s’identifiaient souvent aux paroles des chants de marins traditionnels qui traitaient de l’isolement et du travail acharné sur la mer impitoyable. Reprenant cette tradition, les marins américains étaient également attirés vers les rythmes percutants et le sombre récit du classique du rockabilly de Johnny Cash intitulé «Folsom Prison Blues.» Après avoir connu ce premier succès en 1955, Cash a marqué à tout jamais la culture populaire américaine. Malgré tout ce qui a été écrit et tout ce que nous retenons de Cash, bon nombre de sujets demeurent peu connus dans la chronologie remarquable de sa vie et son grand rôle dans la musique populaire américaine. On peut citer, à titre d’exemple, le spectacle non déjà documenté du chanteur connu sous le nom de « Man in Black » le jour de la St-Patrick en 1975 au Naval War College à Newport, au Rhode Island. À l’aide de l’enregistrement sonore du spectacle qu’on vient de redécouvrir, cet article étudie le spectacle ainsi que l’influence de Johnny Cash sur la culture populaire, le rôle du service militaire sur son œuvre, son lien intime avec le Naval War College et ses répercussions plus vastes sur l’armée américaine.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.022
Threshold uncertainty score0.043

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0050.001
Scholarly communication0.0020.001
Open science0.0000.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0090.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.021
GPT teacher head0.200
Teacher spread0.179 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2023
Admission routes1
Has abstractyes

Explore more

Same venueThe Northern Mariner / Le marin du nordSame topicMusic History and CultureFrench-language works237,207