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Record W4389133133 · doi:10.1525/ncl.2023.78.3.234

Review: <i>Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature</i>, by Ronjaunee Chatterjee

2023· article· en· W4389133133 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueNineteenth-Century Literature · 2023
Typearticle
Languageen
FieldArts and Humanities
TopicLiterature: history, themes, analysis
Canadian institutionsnot available
Fundersnot available
KeywordsChatterjeeIconSubjectivityPoliticsArt historyHistoryArtLiteraturePhilosophyLawPolitical science

Abstract

fetched live from OpenAlex

Book Review| December 01 2023 Review: Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature, by Ronjaunee Chatterjee Ronjaunee Chatterjee, Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature. Stanford: Stanford University Press, 2022. Pp. x + 213. $60. Emily Harrington Emily Harrington University of Colorado, Boulder Emily Harrington is an Associate Professor of English at the University of Colorado, Boulder. Harrington is the author of Second Person Singular: Late Victorian Women Poets and the Bonds of Verse (Virginia University Press, 2014) and “Richard Le Gallienne and the Rhymers: Masculine Minority in the 1890s,” in Extraordinary Aesthetes: Decadents, New Women, and Fin-de-Siècle Culture (edited by Joseph Bristow; University of Toronto Press, 2023). Her work has also appeared in Victorian Poetry, Victorian Studies, and Studies in English Literature, and her most recent piece, “Night Lights: the 1890s Nocturne,” is forthcoming in Nineteenth-Century Literature in Transition: the 1890s (edited by Dustin Friedman and Kristin Mahoney; Cambridge University Press). Search for other works by this author on: This Site PubMed Google Scholar Nineteenth-Century Literature (2023) 78 (3): 234–237. https://doi.org/10.1525/ncl.2023.78.3.234 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Emily Harrington; Review: Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature, by Ronjaunee Chatterjee. Nineteenth-Century Literature 1 December 2023; 78 (3): 234–237. doi: https://doi.org/10.1525/ncl.2023.78.3.234 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentNineteenth-Century Literature Search Feminine Singularity has no less an ambition than to ask us to rethink personhood: to discard “individualism,” a term by now overly freighted with the weight of capitalist, imperialist, gendered, and racialized expectations of over two hundred years, in favor of “singularity.” In doing so, Chatterjee finds alternative modes of thinking about what it means to be one person, in relation to another or to many, in and beyond the nineteenth century. She takes subjectivity out of a framework of identity, gendered binaries, and an economy of reproducibility in order to establish it as at once unique and irreducible yet also in relation. The dynamic between uniqueness and relation is represented, in Chatterjee’s analysis of Christina Rossetti, for example, in the term “likeness,” which implies similarity with room enough for difference. The liberal individual subject has its roots in the nineteenth century and, as Chatterjee notes, “liberal progress and freedom... You do not currently have access to this content.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.708
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0010.002
Science and technology studies0.0010.001
Scholarly communication0.0010.001
Open science0.0010.000
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.011
GPT teacher head0.223
Teacher spread0.212 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it