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Record W4389155371 · doi:10.55016/ojs/ajer.v66i1.61667

Storying and Re-storying Indigenous Content, Perspectives, and Histories in an Elementary Arts Based Curricular Experience

2020· article· en· W4389155371 on OpenAlexafffundvenueabout
Karen Ragoonaden, Margaret Macintyre Latta, Kelly Hanson, Rhonda Draper, Jordan Coble

Bibliographic record

VenueAlberta Journal of Educational Research · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicArt Education and Development
Canadian institutionsUniversity of British Columbia, Okanagan CampusUniversity of British Columbia
FundersSocial Sciences and Humanities Research Council of Canada
KeywordsCurriculumIndigenousThe artsPedagogySociologyNarrativeDecolonizationMusicalMusic educationHumanitiesVisual artsArtPolitical scienceLiterature

Abstract

fetched live from OpenAlex

As part of a larger study focusing on the interdependence of creative and critical curricula, this research examines how an arts experience in an elementary school was re-storied, with the guidance of local and place-based First Nation community members, as an exploration of decolonizing curriculum. A school-based musical theatre experience titled Re-Storying Canadian History, which intended to address concerns about Canada’s 150th anniversary, served as a critical and creative medium for increasing awareness of the existing plurality of First Nation identities, cultures, and languages. Framed as a case study, the experiential narratives of elementary school students and their educators provided a space, a time, and a place to initiate and to discuss decolonization processes in elementary school curricula. Three interpretive devices, storying and re-storying, broadening, and burrowing engaged educators and their students in reconnecting teaching and learning with Indigenous content, perspectives, and histories. Key words: Storying and Re-Storying, Decolonization, Arts Based Research, Creative and Critical Curriculum, Truth and Reconciliation Commission S'insérant dans le cadre d’une plus grande étude portant sur l’interdépendance de la criticalité et de la créativité des programmes d’études, cette recherche examine la réitération d’une expérience artistique dans une école élémentaire sous la direction de membres de la communauté locale des Premières Nations comme une étude de la décolonisation du curriculum. L’école a présenté une production de théâtre musical intitulée Re-Storying Canadian History (Reprise de l’histoire du Canada) dont le but était d’aborder des préoccupations quant au 150e anniversaire du Canada. La présentation a servi d’instrument critique et créatif pour mieux faire prendre conscience de la pluralité des identités, des cultures et des langues des Premières nations. Présentés comme une étude de cas, les récits expérientiels des élèves de l’élémentaire et leurs enseignants offraient un espace, un moment et un lieu à l’initiation et à la discussion de processus de décolonisation dans les programmes d’études de l’élémentaire. Trois outils interprétatifs — la narration et la narration par réitération, l’élargissement et l’enfouissement — ont guidé les élèves et leurs enseignants alors qu’ils retissaient les liens entre l’enseignement et l’apprentissage et les récits, le contenu et les perspectives autochtones. Mots clés : narration et narration par itération, décolonisation, recherche basée sur les arts, curriculum créatif et curriculum de base, Commission de vérité et réconciliation

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.346
Threshold uncertainty score0.997

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.253
GPT teacher head0.399
Teacher spread0.146 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations3
Published2020
Admission routes4
Has abstractyes

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