Cahier couleur
Why is this work in the frame?
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
No Canadian affiliation. An affiliation-only frame — the usual design — would never have seen this work. It is one of the works that make the case for inverting the frame.
The three-model screen
all 1,000 screened works →All three models called this out of scope.
Book insert listing colour illustrations; no research content.
The chapter consists of historical and geographic illustrations rather than metaresearch.
Color-plate figure insert for a book on borders, not research as object.
Abstract
Illustration 1. – Les Mille îles. Illustration 2. – Points de frontière dans les Cantons de l’est. 2a. – Chemin Bradley, maison de Madame Colette John. 2b. – Chemin Benoit. 2c. – Remote Border Crossing – Morse’s Line (Quebec/Vermont). 2d. – Cul-de-sac. Illustration 3. – Detroit/Windsor. Le tunnel Detroit/Windsor. Le pont Ambassador. Illustration 4. – Stanstead, Quebec. La bibliothèque Haskell.
Stored with the screening record, where it is evidence for the labels above.
The record
- Venue
- Presses universitaires de Rennes eBooks
- Topic
- Diverse Cultural and Historical Studies
- Field
- Social Sciences
- Canadian institutions
- —
- Funders
- —
- Keywords
- Art
- Has abstract in OpenAlex
- yes