CIRQUE DU SOLEIL – “THE BLUE OCEAN THEORY”: DIRECTIONS FOR DEVELOPING A CIRCUS PRODUCT
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
The purpose of the article is to define and analyze in the context of circology, a unique feature in the World Circus Art, namely Cirque du Soleil, its doctrine and concept about the idea of the "Blue Ocean" in the context of producing the circus industry.The relevance of the article lies in the fact that there are virtually no specific studies on this issue and topic.In contemporary circology and domestic art criticism today there are no serious and deep scientific works.The contemporary Cirque du Soleil is a unique circus structure of its kind, among other circus structures and companies: the International Circus Festival of Monte Carlo, Monaco under the patronage of the Princely Grimaldi family, dynastic circuses -Krone in Munich, Germany; Knie in Zurich, Switzerland; Ronkalli traveling circus Germany, as well as circus and performance show programs at the Friedrich Stadt Palace in Berlin, Germany; Capital Circus of Budapest "Fővárosi Nagycirkusz", Hungary.It is important to note that Cirque du Soleil is essentially a circus without the use of animals, as well as its circus programs and shows, which are held in different countries around the world and have a very large theatrical and acting component.Cirque du Soleil is based in Montreal, Canada.Uniqueness and novelty lies in identifying specific features and innovations in modern circus art in the context of its production and demonstration."Blue Ocean" as the main concept, idea and theory of the uniqueness of Cirque du Soleil circus products without animals and great theatricality, as well as assembly line preparation at the factory level for the production of circus shows for different countries at the same time.Since an integral part of the activity of any producer is the commercial component, the final result of this activity is making a profit.In the circus field in particular, profit models can be very roughly divided into two.The American model is based on the producer making a profit by selling rights and obtaining good results from touring activities and stationary shows in places of demand (for example, in Las Vegas).this is a classic market model in which profit arises if the total costs of production and promotion of the project are less than the total revenues from rentals and all markets.This model is typical of the Canadian Cirque du Soleil.
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Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.003 | 0.002 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it