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Record W4392230293 · doi:10.1111/aman.13963

Introduction

2024· article· en· W4392230293 on OpenAlexaboutno aff
Matt Sakakeeny, Alex E. Chávez

Bibliographic record

VenueAmerican Anthropologist · 2024
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsHistory

Abstract

fetched live from OpenAlex

This special issue began with a casual meeting at a conference in 2018 and has continued through conversations about sound, politics, public assembly, and urban space with our collaborators in anthropology, music studies, and sound studies as well as Asian, Black, Indigenous, Latinx, and Middle Eastern studies.One instructive moment along the way was a virtual meeting organized by the American Anthropological Association in 2020 called "Raising Our Voices."Invoking voice as a metaphor for political participation would not be noteworthy save for the fact that the event included little direct engagement with voice, sound, and music as political phenomena worthy of "raising our voices" about.While the 2020 conference had been scaled back in response to the COVID-19 pandemic, it is nevertheless telling that the roundtable we organized with many of the contributors to this issue was the only session on the program that dealt explicitly with music or sound.There is a tradition in anthropology of relegating sound to an epiphenomenal realm, as grounds for the study of language and culture, especially, but whose aesthetic, performative, and embodied dimensions only figure as "political" when bundled with explicitly political texts.Our work is part of a growing body of anthropological and ethnomusicological study that foregrounds sound as an analytic in and of itself, in relation to language and discourse but not as an afterthought.Engaging with the field of sound studies, and specifically the role of sound in "culture," we are concerned with what sounds do-sound as epistemology, as refusal, as history and liberation, as commoning and in common, the semiology of sound-and the many possibilities for politicizing the sonorous.The practices of making sound and listening to sound are theorized as manifestations of the political that are entwined with, but not reducible to, semantic content or metaphorical utility.Toward this end, we collectively draw inspiration from fields of study perennially invoked as supplemental to anthropology or marginalized for a supposed lack of analytical rigor, yet whose insights consistently yield fruitful transformations within the discipline (Allen and Jobson, 2016;Cattelino and Simpson, 2022; Chavz and Prez, 2022).The authors gathered here pursue how the politics of sound are enacted within and upon aggrieved communities in urban spaces across North America: Latinxs in Chicago, Black New Orleanians, Indigenous Americans in Vancouver, and alliances between Asians, Latinx, diasporic Africans, and Muslims in Los Angeles.At a dance club, a performance site, or in a funeral procession, sound has the potential to draw individuals into assembly, to create spaces of belonging or mobilize various forms of political action and collective witness, whether influencing formal politics, kindling

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.910
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.025
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0570.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.260
Teacher spread0.242 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2024
Admission routes1
Has abstractyes

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