Bibliographic record
Abstract
Digital Wizardry: The Afterlives of the OffstageThis essay considers how the offstage, which in early modern dramaturgy is often associated with shapeshifting, obscene, strange, and disturbing acts that threaten to pull the focus away from dominant plotlines and ideological structures, has been re-imagined in made-for-digital productions of early modern drama since 2020.It focuses on Macbeth, directed for Big Telly by Zoë Seaton in 2020, and The Witch of Edmonton, directed for Creation Theatre by Laura Wright in 2022.Both deploy the obscene dramaturgies of the offstage to draw attention to the real-life experiences of the women the plays associate with demonic forces, highlighting their domestic oppression and exposure to violence (in Macbeth) and their historical persecution for suspected witchcraft (in The Witch of Edmonton).Digital theatre thus creates an afterlife for the offstage that thrives on the tension between what is included in the fictional frame and the traumatic lived experiences that lie just beyond it.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.009 | 0.014 |
| Scholarly communication | 0.008 | 0.005 |
| Open science | 0.001 | 0.009 |
| Research integrity | 0.001 | 0.003 |
| Insufficient payload (model declined to judge) | 0.012 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".