MétaCan
Menu
Back to cohort
Record W4392982931 · doi:10.32396/usurj.v9i1.703

Artwork

2024· article· en· W4392982931 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueUSURJ University of Saskatchewan Undergraduate Research Journal · 2024
Typearticle
Languageen
FieldPsychology
TopicScience Education and Perceptions
Canadian institutionsnot available
Fundersnot available
KeywordsPassionCuriosityPerspective (graphical)Function (biology)Subject (documents)ImitationArtAestheticsArt historyVisual artsPsychologyBiologyEvolutionary biologyComputer scienceWorld Wide Web

Abstract

fetched live from OpenAlex

As a learner, I’ve always been curious about the world around me, including a keen interest in how organisms function at a cellular level. This curiosity led to me developing a passion for the sciences. Not only that but as a curious individual I have always felt drawn to the sciences, a field where questions are always encouraged, hence the title of piece being “But, why?”. My passion for understanding the world at a cellular level made me want to study CPPS for my undergrad. Now, being in the second year of my degree I not only enjoy my classes but also appreciate the shift in perspective they have caused in how I view the world around me. This art piece is dedicated to the change in perspective I have experienced. Through my art piece, I try to use biological figures in imitation of the natural world to show that the things we learn are everywhere around us. For example, the DNA bridge is indicative of our genetic material being the backbone of who we are at the molecular level. Below the DNA bridge, I included the initials R.E.F as an homage to Rosalind E. Franklin whom I first learned about in grade 11 about not having received credit for her work in revealing the double helix formation of DNA. I drew the DNA so that it is unwinding closer to the end to show how there is still so much we have yet to discover and understand regarding its many complexities. I also included a body of water since it is crucial to many forms of life, and inside of it, I drew outlines of duplicating cells. Next to the water, is a phospholipid bilayer, something that has come up in my studies since high school as something simple yet crucial. The bacteriophages creeping towards the left are meant to contrast the bright and joyful imagery, to show how in sciences we learn about the interesting ways in which our bodies and environments are able to fend off potential dangers. However, these dangers are also important in the balance of life and the natural environment. The greenery framing the art piece is meant to represent the extracellular matrix, the various proteins that hold cells together. I tried to imitate this through my painting as crosslinked greenery. In the bottom right corner, I’ve also drawn myself looking up from reading a textbook as a way to show what it’s like to learn about such fascinating things and how it directly shifts my world view. Lastly, I drew this piece with a clear vanishing point as a metaphorical way of showing that our knowledge of the world and the study of science has gone through a journey and though our knowledge may have “dates of discovery” and points at which we began the studies of certain things, there is still no clear end to learning and everything we discover only leads to more questions which is definitely my favourite part about learning in my degree. Similar to the endless journey of the sciences, I look forward to where my own journey in this field will go.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.273
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0080.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.093
GPT teacher head0.390
Teacher spread0.297 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it