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Record W4393435490 · doi:10.28925/2311-259x.2024.1.3

“Ukraine and Jesus Christ suffered the most severe torments in their life”Addressed lyrics by Oleksa Hai-Holovko

2024· article· en· W4393435490 on OpenAlexaboutno aff
Valentyna Bilіatska

Bibliographic record

VenueSynopsis Text Context Media · 2024
Typearticle
Languageen
FieldEnvironmental Science
TopicDiverse Scientific Research in Ukraine
Canadian institutionsnot available
Fundersnot available
KeywordsLyricsArtLiteraturePhilosophy

Abstract

fetched live from OpenAlex

The poetic legacy of Oleksa Hai-Holovko, a Ukrainian writer and diaspora activist, is presented in three volumes of selected works. His lyricism has been predominantly studied in the context of themes and motifs of Ukrainian-language poets in Canada (I. Nakashidze): love for Ukraine, nostalgia, the image of the steppe, and so forth. The addressed lyrics of the poet have not been thoroughly studied, so this article aims to analyze the features, motifs, and define the uniqueness of the portrayal of the subject and addressee in the writer’s dedicatory verses. The research is conducted using comparative-historical, semiotic methods, contextual analysis of the text, principles of receptive aesthetics with reference to the works by Ukrainian scholars regarding genealogical trends, and genre specificity of addressed lyricism (L. Bondar, Yu. Klymiuk, Yu. Kovaliv, V. Nazarets, L. Skoryna, M. Tkachuk). The novelty of the research lies in the examination of dedicatory poems by O. Hai-Holovko, in which through the prism of a specific addressee, the destiny of Ukraine and the Ukrainian people in “commune-moscow slavery” is predominantly represented. The “Lyrical Portraits” by O. Hai-Holovko vary in genre modification: dedicatory poems to “Friends”, “Full-blooded Sheep”, “Taras Shevchenko”; letter-dedications “Letter to Mother”, “Letter to Yurii Smolych”; address-invocations “My People”, “To Valerian Revutsky”, “To Yurii Holovko”; dedication-epitaphs “To Fedor Odrachiv”, “To Vasyl Stefanyk” and so on. Dedicatory verses do not always reflect the genre in the title, in such poems, after the title, the addressees are indicated with a concise reference or indication of the event: “Ballad to the Warriors” for Yuriy Stefanyk, “Song” for V. Rusalskyi, “Do Not Grieve, My Great Friend” for Y. Pozichanyuk. The peculiarity of addressed lyrics by O. Hai-Holovko is autobiographism, with Ukraine being the overarching image, enslaved by the “commune”, the native people “bound by chains”, and “suppressed by non-glory”. By reinterpreting biblical-Christian motifs and images (“To Metropolitan Ilarion”, “To Bishop Boris on the Day of Departure to Edmonton”, “Burned”) the tragedy of his fate and the fate of the Ukrainian people in a totalitarian society is reproduced. The dedicatory poems by O. Hai-Holovko have significant importance in preserving and retransmitting individual, historical, and cultural memory. They serve as artistic documents of the crimes of the totalitarian regime (“To the Chekists”, “To Stalin”, “To moscow occupiers and their little russian janissaries”) and as important interpretative codes that allow the recipient to discern the importance and scale of the issues raised, hidden meanings, and mysteries of the human soul.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.006
Threshold uncertainty score0.014

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0050.004
Scholarly communication0.0020.001
Open science0.0000.002
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.241
Teacher spread0.225 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2024
Admission routes1
Has abstractyes

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