MGD: Music Genre Dataset
Bibliographic record
Abstract
<strong>MGD: Music Genre Dataset</strong> Over recent years, the world has seen a dramatic change in the way people consume music, moving from physical records to streaming services. Since 2017, such services have become the main source of revenue within the global recorded music market.<br> Therefore, this dataset is built by using data from Spotify. It provides a weekly chart of the 200 most streamed songs for each country and territory it is present, as well as an aggregated global chart. Considering that countries behave differently when it comes to musical tastes, we use chart data from global and regional markets from January 2017 to December 2019, considering eight of the top 10 music markets according to IFPI: United States (1st), Japan (2nd), United Kingdom (3rd), Germany (4th), France (5th), Canada (8th), Australia (9th), and Brazil (10th). We also provide information about the hit songs and artists present in the charts, such as all collaborating artists within a song (since the charts only provide the main ones) and their respective genres, which is the core of this work. MGD also provides data about musical collaboration, as we build collaboration networks based on artist partnerships in hit songs. Therefore, this dataset contains: <strong>Genre Networks:</strong> Success-based genre collaboration networks <strong>Genre Mapping:</strong> Genre mapping from Spotify genres to super-genres <strong>Artist Networks:</strong> Success-based artist collaboration networks <strong>Artists:</strong> Some artist data <strong>Hit Songs:</strong> Hit Song data and features <strong>Charts:</strong> Enhanced data from Spotify Weekly Top 200 Charts This dataset was originally built for a conference paper at ISMIR 2020. If you make use of the dataset, please also cite the following paper: <em>Gabriel P. Oliveira, Mariana O. Silva, Danilo B. Seufitelli, Anisio Lacerda, and Mirella M. Moro. Detecting Collaboration Profiles in Success-based Music Genre Networks. In Proceedings of the 21st International Society for Music Information Retrieval Conference (ISMIR 2020), 2020.</em> <pre><code>@inproceedings{ismir/OliveiraSSLM20, title = {Detecting Collaboration Profiles in Success-based Music Genre Networks}, author = {Gabriel P. Oliveira and Mariana O. Silva and Danilo B. Seufitelli and Anisio Lacerda and Mirella M. Moro}, booktitle = {21st International Society for Music Information Retrieval Conference} pages = {726--732}, year = {2020} }</code></pre>
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.001 | 0.000 |
| Open science | 0.003 | 0.002 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.136 | 0.056 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".