Performer avec et par l’écriture : entretien avec Gabrielle Giasson-Dulude
Bibliographic record
Abstract
Born in Montreal in 1984, Gabrielle Giasson-Dulude was first drawn to non-verbal theater, seeking to pinpoint the part of emotions and thoughts that is difficult to articulate. Then she started making sentences, in which she strives to hear the body’s silent impulses. She teaches literature at Cégep du Vieux Montréal. She published the poetry collection Portrait d’homme at Noroît in 2015. Her essay Les chants du mime (Noroît, 2017, 2022) was a finalist for the Governor General’s Award of Canada, and won the Prix Spirale Eva-Le-Grand and the Prix Contre-jour for literary essays. His third book, Entre les murs, des voix, was published by Remue-ménage in autumn 2023. This interview is a follow-up to this latest publication. It provides information on the places, practices, modalities, and issues involved in the performative writing and thinking of Giasson-Dulude who sees “art as reparation” for oneself and for others. Résumé Née à Montréal, en 1984, Gabrielle Giasson-Dulude a d’abord été appelée par le théâtre non-verbal, cherchant à cerner la part des émotions et des pensées que l’on articule difficilement. Ensuite, elle a commencé à faire des phrases, dans lesquelles elle s’efforce d’entendre les poussées muettes du corps. Elle enseigne la littérature au Cégep du Vieux Montréal. Elle a publié le recueil de poèmes Portrait d’homme au Noroît en 2015. Son essai Les chants du mime (Noroît, 2017, 2022) a été finaliste au prix du Gouverneur général du Canada, il a remporté le prix Spirale Eva-Le-Grand et le prix Contre-jour de l’essai littéraire. Son troisième livre Entre les murs, des voix est paru au Remue-ménage à l’automne 2023. Le présent entretien fait suite à cette dernière parution. Il informe sur les lieux, les pratiques, les modalités ainsi que les enjeux de l’écriture et de la pensée performatives de l’essayiste qui conçoit « l’art comme une réparation » pour soi et pour les autres. Mots-clés : chants ; corps ; essai ; espaces ;lectures ; liberté ; réparation ; voix
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.005 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.002 | 0.001 |
| Science and technology studies | 0.019 | 0.025 |
| Scholarly communication | 0.010 | 0.004 |
| Open science | 0.002 | 0.006 |
| Research integrity | 0.005 | 0.008 |
| Insufficient payload (model declined to judge) | 0.005 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".