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Record W4394975666 · doi:10.1353/wlt.2024.a925292

Green Fuse Burning by Tiffany Morris (review)

2024· article· en· W4394975666 on OpenAlexaboutno aff
Marcie McCauley

Bibliographic record

VenueWorld Literature Today · 2024
Typearticle
Languageen
FieldArts and Humanities
TopicEcocriticism and Environmental Literature
Canadian institutionsnot available
Fundersnot available
KeywordsFuse (electrical)ArtEngineeringElectrical engineering

Abstract

fetched live from OpenAlex

Reviewed by: Green Fuse Burning by Tiffany Morris Marcie McCauley TIFFANY MORRIS Green Fuse Burning Hamilton, Ontario. Stelliform Press. 2023. 99 pages. SIX RECOVERED PAINTINGS of Mi'kmaw landscape artist Rita Francis serve as a framework for Tiffany Morris's debut eco-horror novella Green Fuse Burning. Each work's commentary in her Devastation of Light exhibit stokes readers' imaginations, and industry terms—like grisaille, photoreal, abstraction, and praxis—create verisimilitude, while the artist's disappearance creates tension. After each Gallery Autochthone segment, readers observe Rita's experiences at the creative retreat that fueled these artworks: intimate, sensorily rich explorations that encircle a pond. She repurposes organic materials "to cajole, disturb, and interrogate the viewer" by including "everything from Mi'kmaw symbols to tortured figures contending with the land in new ways," posits the commentary—intentions that might be Morris's too. Rita's girlfriend arranged the retreat to counter Rita's grief over her father's death. Visiting land her family traditionally inhabited before their people were forced north, "all the way to Unama'ki [present-day Cape Breton, Nova Scotia], the land of fog," heightens Rita's contemporary sense of dislocation. This government [End Page 65] policy of centralization (designating reservation lands for Indigenous peoples) imposed a geographical, cultural, and spiritual disorientation, and Rita's creativity has wizened. At home, surrounded by "sutures of concrete," grief overwhelms: "ambulance lights burst across the threshold of her day," and she's "lost to it, infected by time, outside herself and her present moment." On retreat, however, Rita gradually re-immerses herself in her memories and her father's language instruction (specifically Mi'kmaw words for flora and fauna), and she nurtures a tentative but powerful relationship with her ancestors and inner self. The pond's rewilding power insists creativity is "outside time" and, because "it saw you as you truly were: an animal skulking among animals," Rita's story shifts from psychological exploration to visceral transformation. Just as the Mi'kmaw calendar must change—officially July houses the Trees Fully Leafed Moon, but trees are fully leafed earlier now—Rita, too, must adapt. Morris's vocabulary, select details, and imagery build atmosphere as the pond "spoke to her [Rita] and through her, taking her blood, flooding her mind, and feeding her spirit" until grief is "a chlorophyll feeding her and transforming her in the devastation of light" and she confronts a "fungal and fecund thing." In a 2023 interview, Morris defines her dream job as being "a forest oracle who gives cryptic messages to travelers": Green Fuse Burning jump-starts her career. Marcie McCauley Toronto Copyright © 2024 World Literature Today and the Board of Regents of the University of Oklahoma

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.613
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0010.001
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0110.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.007
GPT teacher head0.208
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes1
Has abstractyes

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