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Record W4399592755 · doi:10.22505/jas.2024.56.1.05

Silent Hunter, Loud Smile: Indigenous Agency Beyond the Primitive Gaze in Nanook of the North

2024· article· en· W4399592755 on OpenAlex
Ungyung Yi

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueJournal of American Studies · 2024
Typearticle
Languageen
FieldHealth Professions
TopicIndigenous Studies and Ecology
Canadian institutionsnot available
Fundersnot available
KeywordsGazeIndigenousAgency (philosophy)PsychologyCommunicationAestheticsArtSociologyPsychoanalysisSocial scienceBiology

Abstract

fetched live from OpenAlex

This paper explores Robert Flaherty’s Nanook of the North (1922), focusing on its cinematic representation of the Inuit’s traditional way of life. It particularly examines their eating customs necessitated by hunting and butchering, and the agency of its indigenous subject, Nanook. While the film’s sociocultural implications as a reflection of Western colonial desires and nostalgia for primitive have received considerable scholarly attention, Nanook’s role and agency represented within the film remain a relatively unexplored topic. By analyzing Nanook’s gaze and playful performance juxtaposed with the film’s use of music, this paper demonstrates how the film challenges the stereotype of the Inuit as passive subjects and the exotic other. Ultimately, I argue that Nanook’s silent communication with the audience serves as a satirical critique of colonial impulses and a testament to the resilience of indigenous agency.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.259
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.001
Science and technology studies0.0020.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.037
GPT teacher head0.389
Teacher spread0.352 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it