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Record W4401631768 · doi:10.22215/etd/2024-16142

Sonic Constructions of Transhumanism: A Radiohead Case Study

2024· dissertation· en· W4401631768 on OpenAlexaff
Christine Marie Oppedisano

Bibliographic record

Venuenot available
Typedissertation
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsCarleton University
Fundersnot available
KeywordsTranshumanismPhenomenology (philosophy)AestheticsMateriality (auditing)DifféranceEmbodied cognitionPosthumanismCognitive scienceCommunicationEpistemologySociologyPhilosophyPsychologyMetaphysics

Abstract

fetched live from OpenAlex

This thesis explores connections between voice and body through the lens of transhumanism.The voice exists as a sound constructed by the body and a medium for constituting body.This reciprocal relationship gives rise to an ongoing process of transformation.Together with literature on materiality of sound and listening, vocality, and phenomenology, I develop a conceptual framework rooted in transhumanism to: (1) examine how musical and sonic practices mediate understandings of the human body, and;(2) consider dialectical tensions between biological and technological bodies.I apply this to a case study on Radiohead, tracing their aesthetic shift across three albums: The Bends (1995), OK Computer (1997), and Kid A (2000).In understanding voice as the foregrounded sonic layer through which Radiohead navigate their humanness, I discuss how vocalic changes, both in techniques and interactions with other sonic elements, allow Radiohead to negotiate identity and agency, and to undergo transhumanistic reconstruction.I would like to express my deepest gratitude to my supervisor, William Echard, whose guidance, insights, and seemingly boundless knowledge proved invaluable to this research and served (will continue serving) as a font of inspiration.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.012
Threshold uncertainty score0.029

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.005
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0020.001
Science and technology studies0.0120.012
Scholarly communication0.0050.004
Open science0.0020.006
Research integrity0.0030.003
Insufficient payload (model declined to judge)0.0090.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.033
GPT teacher head0.260
Teacher spread0.227 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes1
Has abstractyes

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Same topicMusic History and CultureFrench-language works237,207