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Record W4402778969 · doi:10.1017/asr.2024.102

C.J. Obasi, dir. Mami Wata. 2023. 107 minutes. Pidgin. Nigeria. Fiery Film Company, Guguru Studios. Ifind Pictures & PalmWine Media. No price reported.

2024· article· en· W4402778969 on OpenAlexaff
Ezinne Ezepue, Babatunde Onikoyi

Bibliographic record

VenueAfrican Studies Review · 2024
Typearticle
Languageen
FieldSocial Sciences
TopicAfrican history and culture studies
Canadian institutionsUniversity of Regina
Fundersnot available
KeywordsPidginStudioArtAdvertisingBusinessVisual artsLinguisticsPhilosophy

Abstract

fetched live from OpenAlex

Pidgin.Nigeria.Fiery Film Company, Guguru Studios.Ifind Pictures & PalmWine Media.No price reported.C.J. Obasi is an arthouse filmmaker with a mission to bring Nigerian cinema back to its traditional values with methods, and innovative techniques and stylistics not often found among the works of his contemporaries or pioneers.He cofounded the Surreal16 Collective, which created a manifesto to inspire a new kind of cinema that explores genres like fantasy, sci-fi, horror and crime, thus stimulating a consciousness in arthouse cinematic experimentation.Inspired by Ousmane Sembene, the father of African cinema, and committed to creating films which reflect the socioeconomic and political realities of Nigeria, Obasi is prominent for making the zero budget feature Ojuju (2014).The award-winning director interrogates unconventional, Afrocentric topics such as juju, myths, and traditional beliefs as evident in his films O-Town (2015), Visions: Bruja (2017), and Juju Stories (2021).In Mami Wata, he adapts the West African folktale of the water deity called mami wata (water goddess).His reconstruction of the mythic, the mysterious, and magical in Mami Wata is illustrative of what it means to demystify the water goddess (Mmuo Mmiri in Igbo and Yemoja in Yoruba contexts) as an evil and demonic creature causing harm to human beings in metaphysical terms.Mami Wata is an example of a cinematic piece that elevates and upholds traditional and cultural beliefs in African worldview.Obasi offers a visually compelling narrative, artistically delivered in black and white cinematography, in which he upholds and celebrates Africa's proud communal coexistence.The concept of coexistence also shapes the film's visual narrative.An early scene depicts Mama Efe, her daughters, and community members uniting to support a mother whose child receives traditional medical attention.This collective display of care and solidarity embodies the African values of communal support, shared joy, and collective sorrow.The scene's visual composition reinforces this theme.Shot from a left angle, the medium frame captures the community's collective effort to revive the child.Each character occupies equal space, seated side by side and facing the camera.This framing echoes Africancentered aesthetics, reminiscent of traditional African theatre.Set in the modernity resistant, matriarchal village of Iyi, Mami Wata can be read as a metaphor for the three-way intergenerational conflict currently distressing Nigeria and many other nations witnessing an upsurge in youth populations.Mama Efe, the once powerful and respected, albeit traditional, Iyi leader and intermediary for the water goddess, is currently striving to manage looming crisis at home and in the community.At home, Mama Efe's biological

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.434
Threshold uncertainty score0.620

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0020.000
Scholarly communication0.0010.002
Open science0.0000.001
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.5660.440

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.065
GPT teacher head0.341
Teacher spread0.276 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; the direct Gemma label and the distilled Codex classifier agree on what is shown here.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes1
Has abstractyes

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