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Record W4402914805 · doi:10.1215/00021482-11225684

Curating the American Past: A Memoir of a Quarter Century at the Smithsonian National Museum of American History

2024· article· en· W4402914805 on OpenAlex
Debra A. Reid

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueAgricultural History · 2024
Typearticle
Languageen
FieldArts and Humanities
TopicOral History, Memory, Narrative Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsMemoirQuarter (Canadian coin)HistoryArt historyAmerican historyGenealogyArchaeologyAncient history

Abstract

fetched live from OpenAlex

In the introduction to Curating the American Past, Pete Daniel tells us what to expect: “Attacking is far more exciting than defending” (3). The remainder of the book makes good on that epigram as Daniel chronicles his career as a curator at the Smithsonian Institution's National Museum of American History (1982–2009). He acknowledges that he approached the work with “a naïve belief that [the Smithsonian] soared above political skirmishes and lived up to its sterling reputation as a temple of learning” (7). Daniel describes the first twenty years as “frantic with collecting, exhibits, writing books, and exciting projects,” but his frustration grew as “visionless leadership” eviscerated the curatorial staff (7–8).Daniel makes clear that the memoir grew out of frustration that existed earlier in his curatorial career but that escalated over time. This warning should prepare readers for blunt and often critical assessments. He shares names and pulls no punches. He does not try to reason through decisions that he believed threatened the museum's integrity. Instead, Daniel lays out the facts as he perceived them and leaves it to others who care about intellectual rigor, public engagement, exploration of crucial history, and museum ethics to investigate further.Real nuggets abound in Curating the American Past. Those who know Daniel's publications will become acquainted with his public history side, such as the relationship between his work on the exhibition Science in American Life, which opened in April 1994, and his book Toxic Drift (2007). Those who know Daniel through his work with Smithsonian Fellows will learn more about how selected fellows’ study of Southern rural life and history enhanced collections and scholarship alike. All readers will learn more about the heavy lift that curation involves, especially when the subject—agriculture—becomes subsumed under numerous other themes more appealing to donors. This probably accounted for administrative decisions that undermined Daniel's goals to curate an exhibit in his area of expertise (rural Southern life). Frustrated but undeterred, he documented that past and wrote about it. His award-winning articles and books stand as permanent evidence of his thoughtful and detailed framing of a South that he lived, researched, and preserved for future reference.Surveys indicate that public trust in museums remains high, and that the public expects museums to address crucial history, the type of history that Daniel spent his career researching, collecting, and writing about, and encouraging numerous Smithsonian fellows to pursue the same. While no exhibit stands as a testimony to Daniel's Smithsonian career, Curating the American Past makes clear that his tenacity in defending historical work stands as a lasting and befitting legacy of his influence on agricultural history.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.146
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.003
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.216
Teacher spread0.195 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it