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Record W4403307695 · doi:10.7202/1113313ar

L’influence de Debussy dans la musique de film fantastique sombre

2024· article· fr· W4403307695 on OpenAlexvenueno aff
Cécile Carayol

Bibliographic record

VenueRevue musicale OICRM · 2024
Typearticle
Languagefr
FieldSocial Sciences
TopicLiterature, Musicology, and Cultural Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsArt

Abstract

fetched live from OpenAlex

Des Images oubliées aux Reflets dans l’eau , une grande majorité de la musique de Claude Debussy est remplie d’images et de tableaux sonores. L’oeuvre debussyste est d’ailleurs amplement citée comme préexistante dans le cinéma, tout genre confondu, et ce depuis le muet, notamment pour les scènes de plein air, jusqu’à la période contemporaine. Debussy est musicien de la nature, du voyage, d’effets de lumière dans l’eau, voire du monde de l’enfance, mais bon nombre de ses oeuvres (« Nuages », Pelléas et Mélisande , Le Martyre de Saint-Sébastien ou son opéra inachevé La Chute de la maison Usher ) sont également autant de manifestations de la mort et de la peur. L’ambition de cet article est de montrer en quoi des compositeurs comme Dimitri Tiomkin, Franz Waxman, Bernard Herrmann, Jerry Goldsmith ou encore Alejandro Amenábar sondent le langage debussyste pour enrichir le paratexte de leurs partitions destinées à des films comportant une dimension fantastique sombre, estompant ainsi la frontière qui existe entre eros et thanatos , ou encore entre le monde des morts et celui des vivants.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.864
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.001
Bibliometrics0.0000.002
Science and technology studies0.0010.001
Scholarly communication0.0010.001
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.273
Teacher spread0.260 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes1
Has abstractyes

Explore more

Same venueRevue musicale OICRMSame topicLiterature, Musicology, and Cultural AnalysisFrench-language works237,207