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Record W4406149588 · doi:10.1080/09298215.2024.2442361

Data- and interaction-driven approaches for sustained musical practices with machine learning

2024· article· en· W4406149588 on OpenAlex
Gabriel Vigliensoni, Rebecca Fiebrink

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
fundA Canadian funder is recorded on the work.

Bibliographic record

VenueJournal of New Music Research · 2024
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsConcordia University
FundersFonds de Recherche du Québec-Société et CultureCanada Council for the Arts
KeywordsMusicalComputer scienceHuman–computer interactionArtificial intelligenceMachine learningData scienceVisual artsArt

Abstract

fetched live from OpenAlex

While contemporary discourse on AI often fixates on large ‘foundation’ models, these types of models often offer only limited ability for musicians to express their musical intentions and agency. In this article, following a brief reflection on and critique of the musicality of large music models informed by our own experimentation, we describe a richer set of possibilities for integrating machine learning into musical practices. We outline several alternative approaches within machine learning which can better support sustained musical practices. These include approaches underpinned by an understanding of training data as a vehicle for communicating intention (as opposed to a representation of ‘ground truth’), approaches that leverage small datasets and models, and approaches that employ other interactive mechanisms to capture human intention and agency. We present examples of our own musical projects that illustrate these approaches, and we discuss the implications of our alternative perspectives on data and intention for system development, musical practice, future research, and the future of musicking.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.638
Threshold uncertainty score0.500

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0010.001
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.353
GPT teacher head0.438
Teacher spread0.085 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it