Bibliographic record
Abstract
Trumpeter and composer Kenny Wheeler (1930–2014) was one of the most enigmatic and influential musicians in recent memory. His instantly recognisable sound was a driving force within every major innovation in modern European jazz during the last half of the 20th century. More importantly, his life provides us with a profound example of the way music can manifest itself in the most unlikely of vessels. As a lonely and shy teenager in Canada, he sought refuge from his difficult home life in the friendships he forged through a mutual love of bebop. After an unexpectedly bold move to London at the age of 22, he struggled with his confidence for years before making his first big break with the John Dankworth Orchestra. Kenny would soon find his voice in a triumvirate of musical communities: straight-ahead jazz, the burgeoning free scene, and in the busy recording studios. Throughout his life, he constantly pursued personal growth while investing in his friends from every corner of the music business who would bring the inimitable beauty, precision, and chaos in his compositions to life. And in an artform where individuality represents the highest level of expression, Kenny was peerless. Indeed, few jazz artists of any era developed such a fingerprint in one area, let alone becoming immediately identifiable as virtuoso instrumentalists, improvisors, and composers. Kenny Wheeler’s life is a compelling – and fundamentally human – story. This book brings together over 130 original interviews and new archival and biographical research on Wheeler’s life and music, chronicling his journey from small town Canada to international acclaim. It is as much a perspective on the history and development of jazz in Britain and Europe as it is the extraordinary tale of this improbable pioneer.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.005 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.011 | 0.005 |
| Scholarly communication | 0.007 | 0.004 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.001 | 0.005 |
| Insufficient payload (model declined to judge) | 0.012 | 0.006 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".